Properties
| ID | 124127 |
|---|---|
| System Class | Bibliography |
| Bibliography | Article |
| Case Study | Beyond East and West: Sacred Landscapes Duklja and Raška |
Description
Svetozar Radojčić, Die Entstehung der Malerei der Paläologischen Renaissance, in: Jahrbuch der österreichischen Byzantinischen Gesellschaft 7 (1958) 105-124.
Relations
Places (1)
| Name | Class | Begin | End | Description |
|---|---|---|---|---|
| Peć, Church of the Holy Apostles (The Patriarchate of Peć) | Place | The Church of the Holy Apostles is situated in the city of Peć. It was built by Archbishop Arsenije I in the middle of the 13th century (even though an inscription on one of the frescoes from the 14th century states that St. Sava initiated the construction). In time, as other buildings erected next to this Church, its shape changed so the original appearance of the Holy Apostles cannot be reliably reconstructed. The Church belongs to the Raška style and was a seat of Archbishopric (after it was moved from the Žiča Monastery) and later raised to the rank of Patriarchate (1346-1766). The Church was built on the grounds of an older three nave basilica which was reconstructed and modified to a single nave edifice with a dome and an apse with proskomidia and diakonikon. Side naves became chapels. Nave was elongated and suitable for liturgical purposes. Along its Western part there were once chapels (paracclesions) which were demolished in the 14th century. Today it is a space of rectangular base with a semicircular vault. Similar solutions are to found in Pridvorica and Davidovica. Along the South wall of the central bay is a sarcophagus which once housed the remains of Archbishop Arsenije I. Another sarcophagus in the South-West corner of the Church kept the relics of Joanikije II, the first patriarch of the Patriarchate in Peć. The tomb of Archbishop Sava II is located between these two sarcophagi, also placed along the South wall. The Church was fresco decorated in the 13th century. Western part of the Church was decorated in the time of King Milutin, marking the beginning of a new style, that of the 14th century. |
Actors (1)
| Name | Class | Begin | End | Relation Type | Description |
|---|---|---|---|---|---|
| Sguros Progonos | Person | Mentioned in the painted inscription over the west door of the narthex of the Church of the Virgin Peribleptos in Ōhrid (now Church of Saints Clement and Panteleimon) from 1294/1295. He appears as a κῦρ in the inscription. He held the position of Megas hetaireiarches, 1294–1295. Progonos Sguros was of noble Albanian background. He belonged with all probability to the family of Scura (Sgura). His wife was Eudokia. He was the son-in-law of the Byzantine Emperor (probably Michael VIII Palaiologos). According to the painted inscription over the west door of the narthex from 1294/1295 he commisioned together with his wife Eudokia Komnene the Church of the Virgin Peribleptos in Ōhrid (now Church of Saints Clement and Panteleimon), at that time under Byzantine rule. He was holding the rank of megas hetaireiarches and was through his wife related to the family of Byzantine emperor (Ἀνηγέρθει ὁ θεῖος καὶ πάνσεπτος ναὸς οὗτος τῆς πανυπεράγνου δέσποινης ἡμῶν Θεοτόκου τῆς περιβλέπτου διά τε συνδρομῆς καὶ ἐξόδου κυροῦ Προγόνου τοῦ Σγουροῦ τοῦ μεγάλου ἑταιρειάρχου καὶ τῆς συζύγου αὐτοῦ κυρὰς Εὐδοκίας καὶ γαμβροῦ τοῦ κραταιοῦ καὶ ἁγίου ἡμῶν αὐτοκράτορος καὶ βασιλέως· ἐπὶ τῆς βασιλείας τοῦ εὐσεβεστάτου βασιλέος καὶ αὐτοκράτωρος Ῥωμαίων Ἀνδρονίκου τοῦ Παλαιολόγου· καὶ Εἰρήνης τῆς εὐσεβεστάτης αὐγούστης· ἀρχιερατεύοντος δὲ Μακαρίου τοῦ παναγιωτάτου ἀρχιεπισκόπου τῆς Πρότης Ἰουστινιανῆς καὶ πάσης Βουλγαρίας· ἐπὶ ἔτους· ϛ ω γ ἰνδικτιῶνος η). An epigram embroidered on an altar cloth in the thirteenth or fourteenth century and now kept in the National Historical Museum at Sofia seems to be a gift of the famous megas hetaireiarches and his wife (Δῶρόν σοι κλεινὸς μέγας ἑταιρειάρχης/ τύπον σῆς σταυρώσεως ἀνατυπῶ σοι/ ἐκ τῆς δοκούσης τάχα τιμίας ὕλης/ σὺν Εὐδοκίᾳ τῇ ὁμοζύγῳ, Λόγε,/ οὔσῃ Κομνηνῇ μητροπαπποπατρόθεν/ ἵνα λύσιν λάβωμεν ἀμπλακημάτων). |