Maps of Power

Vojvodić 2016d

Properties

ID 124139
System Class Bibliography
Bibliography Inbook
Case Study Beyond East and West: Sacred Landscapes Duklja and Raška

Description

Dragan Vojvodić, On the Boundary among Worlds and Cultures - the Essence and Spaces of Serbian Medieval Art, in: Byzantine Heritage and Serbian Art II. Sacral Art of the Serbian Lands in the Middle Ages (eds. D. Vojvodić/D. Popović, Belgrade 2016) 13-40.

Relations

Places (6)
Name Class Begin End Description
Banjska Monastery, Church of St. Stephen Place Banjska Monastery is situated by the Banjska river, near Zvečan in the North of Kosovo. It was built by King Milutin in 1313 to 1315, modelled on Studenica Monastery. Its a single nave edifice with a dome and tripartite altar space. To the North and South of the central part of the Church are choirs with paracclesions next to each. Narthex has two bell-towers on its Western end. The Church is rich with Romanesque sculptural decoration (it was probably made by the same artisans who worked in the Chilandar Monastery).The most prominent sculptural decoration is the statue of the Virgin with Christ as a child (kept in the nearby Monastery of Sokolica). Some frescoes have remained, mostly under the dome.
Gradac Monastery, Church of the Annunciation of the Holy Mother of God Place The Gradac Monastery is situated in the region of Ras on the river Ibar and on the slopes of Mount Golija. It was founded by the Serbian Queen Jelena Anžujska (ca. 1230-1314), as stated by her biographer the Serbian Archbishop Danilo II (ca. 1270/75-1337) (Danilo 75-80). She was buried in this church in 1314. Even though the church belongs to the Raška style, it also has very distinct gothic elements. As such, this church represents a fine example of Western and Eastern influences merged in one edifice. It is a single nave edifice with an octagonal dome. The narthex has two paracclesions that resemble the Žiča Monastery, but also the Studenica Monastery (as seen in one paracclesion which is dedicated to St. Simeon Nemanja and in the arrangement of certain painted themes). Under the roof is a series of arcades with consoles. The church has rich sculptural and fresco decoration. The largest part of the interior of the edifice is made of marble (especially visible in the altar screen). Out of two marble sarcophagi, one belongs to the Serbian Queen Jelena Anžujska.
Morača Monastery, Church of the Dormition of the Holy Mother of God Place The Monastery of Morača is situated in the valley of the river Morača in the Municipality of Kolašin in Montenegro. It was built by Stefan, the son of Vukan Nemanjić (the Grand Prince of Zeta) and grandson of Stefan Nemanja (ZN 17). The katholikon is dedicated to the Dormition of the Holy Mother of God. It is a single-nave edifice with three bays, narthex and a dome. It has a side chapel dedicated to St. Stephen. All major elements of the Monastery of Žiča and the Patriarchate of Peć have merged into this edifice. The main portal is in Romanesque style. The fresco decoration of the 13th century has been poorly preserved (the majority of the decoration was ruined, when the monastery was ravaged by the Ottomans in the 16th century). The church was renovated in the 20th century.
Peć, Church of St. Demetrius (Patriarchate of Peć) Place The Church of St. Demetrius is situated in the city of Peć. It was built by Archbishop Nikodim, probably between 1320 and 1324, as is written in the Peć Chronicle. It is a reduced cruciform edifice with a spacious dome and altar. Western bay is lower and dimmer than the rest of the Church (serving as a resting place of two Patriarchs - Jefrem and possibly Sava IV). It has a cross (groin) vault, which was, as some scholars believe, built later. In 1614 some parts of the building (namely its Northern wall) have been reconstructed. On the altar screen some sculpture can be seen. The Church was fresco painted in the middle of the 14th century, and renovated in the 17th century. The name of one painter (out of two who painted this Church) has remained inscribed in the apse in Greek lettering.
Peć, Church of the Virgin Hodegetria (Patriarchate of Peć) Place The Church of the Virgin Hodegetria is situated in the city of Peć. It was built around 1330, South to the Church of the Holy Apostles (as a counterpart to the Church of St. Demetrius) by Archbishop Danilo II. It is a developed cross-in-square edifice with octagonal dome. Gothic bifora on its Eastern side was probably added later and matches the same one on its Southern side. In North-Western part of the Church is a sarcophagus of Archbishop Danilo II. The Church was fresco painted around 1337 (by the time Archbishop Danilo II died) and finished during Archbishop Joanikije.
Sopoćani Monastery, Church of the Holy Trinity Place The Sopoćani Monastery is situated near the source of the river Raška in the region of Ras in the vicinity of the city of Novi Pazar. The church was built by the Serbian King Stefan Uroš I (reigned 1243-1276), the son of the Serbian King Stefan Prvovenčani (reigned 1196-1227) around 1260 (PJŠ Pam., 70 - sьzida že crьkovь Sopokjani). The exonarthex and a bell tower were added later, in the first half of the 14th century (resembling the Žiča Monastery). The church is a mausoleum of members of the royal Nemanjić members: the King's mother Anna Dandolo, Stefan Prvovenčani, Grand Duke Djordje and King Uroš I himself. It is a single nave edifice with three bays and a dome and has a three-partite semicircular apse as well as a narthex. On the sides of the narthex are separate chambers. On the outside, the edifice resembles a three-nave basilica (all side rooms, next to the altar, choirs and chapels are placed under one, single-pitched roof), which is also the element that distinguishes this building from the others of the Raška style group. The windows and portals were done by masters from the coastal area in the Romanesque style. The entire church was fresco painted around 1270. After being damaged, the church was reconstructed in the 15th century (at the time some alterations were made). After the Ottoman rule, in the 20th century, this site was reconstructed and renovated.