Properties
| ID | 132943 |
|---|---|
| System Class | Bibliography |
| Bibliography | Article |
| Case Study | Beyond East and West: Sacred Landscapes Duklja and Raška |
Description
Jovanka Maksimović, II – 1. Žvan Batista, 2. Marija Magdalena, Zbornik za likovne umetnosti Matice srpske 6 (1970) 3-11.
Relations
Artifacts (1)
| Name | Class | Description |
|---|---|---|
| Miroslav's Gospel | Artifact | Miroslav's Gospel is the oldest Serbian Cyrillic manuscript and one of the most important Serbian medieval manuscripts. It was probably made for the liturgical needs of the Church of St. Peter in Bijelo Polje (in today's Montenegro) at the end of the 12th century (most likely between 1180 and 1187). The manuscript is named after its ktetor, Prince Miroslav of Hum (the brother of Stefan Nemanja), who is also the founder of the aforementioned Church of St. Peter. The content of the codex is based on the model from Saint Sophia in Constantinople, and the decoration, first of all the three hundred initials, exudes various Western influences - from Carolingian to Romanesque. It is believed that the illuminators came from Italy or Southern Dalmatia. Stylistically different is the miniature with the busts of the Evangelists at the beginning of the manuscript (folio 1v), whose iconographic patterns are seen in the manuscripts of the Christian Orient. It is possible that Miroslav's Gospel was created in some coastal scriptorium, as indicated by certain elements in the language and manner of decoration. It is assumed that it reached the Hilandar Monastery during the formation of its library. The Gospel was kept there until 1896, when the Hilandar brotherhood presented it to the Serbian King Aleksandar I Obrenović (reigned 1889-1903). Today it is kept in the National Museum in Belgrade (inv. no. 1536). Sheet 166 is preserved in the National Library of Russia in Saint Petersburg. |