Maps of Power

Gabelić 2008

Properties

ID 120648
System Class Bibliography
Bibliography Book
Case Study Byzantino-Serbian Border Zones in Transition (1282–1355) , Historical Region of Macedonia TIB 16

Description

Smiljka Gabelić, Manastir Konče (Beograd 2008).

Relations

Actors (8)
Name Class Begin End Relation Type Description
Dimitr’ Person Mentioned in the fragmentary preserved inscription above the entrance on the south wall of the Church of the Holy Mother of God in Drenovo, which is dated to 1356 or later. He was a painter (zugraf). He decorated the church of the Holy Mother of God in Drenovo with paintings after the death of the Serbian Emperor Stefan (probably Uroš IV Dušan) at the same time as the dominion was controlled by Nikola (Nikola Stanjevikь?) and Marko (Markos, the King?) (sьzda se hram’ si v’ lě.. ѕ i ō.....i azь Dimitr’ zugraf priloh’ vь hramь sei...lě..z i d i pisah’ pri drž’avě Nikole i Markě po smrьti svetorodnago cara Stefana).
Drago (3) Person Probably identical with Drago Batenovь, a tenant of the Hilandar Monastery. Drago Batenovь farmed together with Skula Dobrosavь on the two houses property in Lubnica and was liable to work one time a week for the Hilandar Monastery (Skula Dobrosavь, Drago Batenovь ·2· dima a jedna rabota). He could be also the same person as Drago (2). Mentioned in the land-inventory of the Church of Saint Stephen in the village of Konče, which was created after the church became a possession of the Hilandar Monastery. He held a vineyard near the property of Šula in the vicinity of the village Lubnica (lozije Dragovo pri Šuli). He together with Ōhrьčь possessed a stlьpь on the Repьno pole not far from Lubnica (stlьpь na Repьnomь poli, a drьži ga Ōhrьčь i Drago). His properties neighboured the fields of Malina (niva Malinina pri Dragovi) and the field on the Gušči pole (niva na Gušči poli pri Dragovi).
Kraislavь Person It is not clear, whether he is the same person as Kraislavь, who was registered in the the land-inventory of the Church of Saint Stephen in the village of Konče with other tenant persons on the so-called žreb of the church (Robь, Gerьgō Vitomirovь Vladь Dragoilovь, Gerilь, Bakarь Dragija, Dragina Struminь, Murьtatь Bračevikь, Vlьkno Staō Goginovь, Staō Mrьzula, Kraislavь na žrebi crьkovne). Mentioned in the land-inventory of the Church of Saint Stephen in the village of Konče, which was created after the church became a possession of the Hilandar Monastery.He held two cleared land in the vicinity of the village Konče. One was on the crest (Kraislavovь trěbežь na grebeni), the other one neighboured the property of Mihalь (Kraislavovь trěbežь pri Mihali). He possessed a garden with two plum seedlings, two mulberry and one nut tree near Lubnica and on the settlement site 23 nut trees, two plum seedlings and two sorb trees (i Kraislali gradine ·2· prisada i ·2· črьnici i ōrahь i na selišti ·23· drěv ōrahь i ·2· prisada i kruška i ·2· ōskoruši).
Kïriakь Person Mentioned in the charter of the Serbian Despot Jovan Dragaš and his brother Konstantin Dragaš for the Monastery Hagios Panteleemon on Holy Mount Athos, which was issued after 1376/1377. He was a knjez. He probably founded the Church of Saint Stephen in the town of Strumica. The Serbian Despot Jovan Dragaš and his brother Konstantin Dragaš donated the church with a land, a vineyard, people and the knjez Kïriakь to the Monastery Hagios Panteleemon on the Holy Mount Athos (I vynu priložismo u Strumici Svetago Stefana, crьkovь Kïriaka knjeza sь ljudmi, sь vinogrady, zemljomь).
Markos Person The fragmentary preserved inscription above the entrance on the south wall of the Church of the Holy Mother of God in Drenovo, which is dated to 1356 or later, refers to a painter Dimitr’, who worked on the decoration of the church Drenovo after the death of the Serbian Emperor Stefan (probably Uroš IV Dušan) at the same time as the dominion was controlled by Nikola (Nikola Stanjevikь?) and Marko (Markos, the King?) (sьzda se hram’ si v’ lě.. ѕ i ō.....i azь Dimitr’ zugraf priloh’ vь hramь sei...lě..z i d i pisah’ pri drž’avě Nikole i Markě po smrьti svetorodnago cara Stefana). The hypothesis about the identity of Marko from the inscription and Markos was refuted by Evgenij P. Naumov. He died on 17th May 1395. He appears in the sources as mladi kralj. He was the co–ruler of the Serbian Emperor Stefan Uroš V, 27.9.1371–2. (4.) 12. 1371, since 2. (4). 12. 1371 formal king of the Serbian Empire. He was the son of the Serbian King Demetrios Blukasinos and Lena. His siblings were Andrěašь, Dmitьrь, Ivanišь and Olivera. He was married to Jelena, the daughter of Radoslabos Chlapenos. He divorced her and lived then with Thodora, who was the daughter of a certain Grьgurь, probably Grьgurь Branković. After the romance with Thodora ended, Markos gave Thodora to Radoslabos Chlapenos and remarried Jelena according to dijak Dobre, who wrote about it in a note in the festal Menaion (Pysa se sija knyga u Porěči, u selě zovom Kalugerecь vь dьni blagověrnago kralja Mar’ka, jegda ōdade Thodoru Grьgurovu ženu Hlapenu, a uze ženu svoju prьvověn’čan’nu Jelenu, Hlapenovu dьštere). Markos divorced her again because of her bad behaviour according to Mauro Orbini. The later Greek chronicler Makarios Melissenos relates that Andronikos IV Palaiologos, the son of the Byzantine Emperor Ioannes V Palaiologos, together with his father-in-law Markos, who ruled over the Bulgarian land, sought help at the court of the Ottoman Sultan (καὶ τοῦ πενθεροῦ αὐτοῦ Μάρκου τοῦ τῆς Βουλγαρίας ἔτι μέρος δεσπόζοντος). In July 1361 he was in Dubrovnik as an emissary. The Ragusans gave him back his silver deposit under the condition that he will not trade with it and with the 25 pounds of silver, which belonged to Lena, his mother (Prima pars est de restituendo Marco ambaxiatori argentum suum cum hac conditione, quod non possit emere mercationes cum ipso nisi de libris XXV argenti uxoris Volcassini). Demetrios Blukasinos intended to marry Markos to the daughter of the Croatian nobleman Gregor Pavlović Šubić. Demetrios Blukasinos contacted therefore the Bosnian King Tvrtko at whose court the woman lived as a protégé. The plan of Demetrios Blukasinos failed because of the opposition of Pope Urban V, who did not allow to marry the catholic princess to schismatic Markos. Pope Urban V expressed his point of view to Tvrtko in a letter from April 1370 (quodque tu eandem puellam tradere nuptui filio mangnifici viri Regis Rascie scismatico absque dictorum parentum voluntate procuras, in anime ipsius puelle periculum, eorundem parentum iniuriam et offensam fidei christiane). Markos is attested along with his mother Lena and his brother Andrěašь in the charter of the Serbian King Demetrios Blukasinos for the Ragusan Republic, which was issued on 5th April 1370 (i po vʼse dni veselešti mi se vь zemʼli kraljevstva mi sь prěvьzljubljenʼnomь kraljestva mi kralicomь kyra Lěnom i sь prěvьzʼljubʼljenʼnimi synovi kraljevstva mi Markomь i Anьdrějašemь). The Church of Saint Sunday (Sveta Nedela) in Prizren was renovated under the patronage of Markos in 1370/1371. He is attested as a young king in the ktirorial inscription (izvōljenjemь ōtca i vьplьštenijemь sina i blagodětiju svetago duha. sii svety i božьstvny hramь prěčьstïe vladičice naše bogordice. vьhoda ne sьzda se ï popisa. Pōvělěnïemь ï sь ōtkupōmь gospodina mladago krala marka lěto ·ѕ·ō·o·th· indiktiōn th). Ioannes Unklesis mentioned Markos in the charter for the Monastery Lavra on the Holy Mount Athos from April 1371 as his anepsei. Markos and Demetrios Blukasinos planned a campaign against Nikola Altomanović in the spring 1371. They camped near Skutari, on the territory of their ally Đurađ I Balšić, in July 1371 and were ready to attack Onogošt in the land of Altomanović (Li çintili homini et lo comun di Ragusa reçevi una littera, la qual lor mandasti tu Andrea Pastrovich, dando lor a savere, ca Jura cum misser lo re Volchassin et cum Marco suo fio, cum lor hoste son suta Scutari, et va sovra çuppan Nicola o in Anagast). The attack never took place, because the Ottomans threatened Ioannes Unklesis. Demetrios Blukasinos rushed to help his brother. After Ioannes Unklesis and Demetrios Blukasinos were killed at the battle of Marica on 26th September 1371, Markos became the co–ruler of the Serbian Emperor Stefan Uroš V. When the Serbian Emperor Stefan Uroš V. died on 2th (or 4th) December 1371, Markos became the formal king of the Serbian Empire, but his rule was never accepted by the local Serbian aristocrats. Subsequently, the Serbian local aristocrats took advantage of the militarily weakened position of Markos and gradually seized large parts of his lands. Lazar took very early Priština and Novo Brdo, in 1372 Đurađ I Balšić occupied Prizren, later Kastoria, Bulkos (Vlkь Brankovikь) controlled since 1376/1377 the Skopje area and Konstantinos Dragases with his brother Ioannes expanded also their territory at the expense of Markos. Markos ruled since then over the area of Pelagonia and had his stronghold in Prilep. Markos minted his own coins. Markos renovated also the Church of the Saint Archangels in Prilep around 1372. The main entrance to the church is flanked by the painted portrait of Demetrios Blukasinos and Markos, who is depicted in the white sakkos. The portrait of Markos bears an inscription (Vь hrista boga věrenь kralь Marko). Markos became the vassal of the Ottoman sultan following the meeting at Serres in winter 1393/1394. Markos rebuilt the Saint Demetrius Monastery near the village Sušica (the so-called Marko’s Monastery) between 1376/1377 and 1381 (Izvōlenïemь ōtca i voplьšenïem sina i sьšestviemь svetago duha ōbnovi se i popisa si svety i božestavni hramь svetago velikōmučenika Hristova pobědōnosca i myrotočьca Dimitrija sь usrьdïemь i potštanïemь blagověrnago kralja Vlkašina sь blagověrniei kralice Eleny i sь prěvazljublenym eju i prьvorodnimь sinomь blagověrnimь kraljemь Markomь i Andreašemь i Ivanïšemь i Dimïtrom vь lěto ·ѕ·ō·p·e· si že monastirь nače se zdati lěto ·ѕ·ō·n·g· vь dni blagověrnago cara Stefana i hristoljubivago kralja Vlьkašina a sьvrši se vь dьni blagověrnago i hristoljubivago kralja Marka). The lunette of the south door of the monastery church is decorated with his portrait. Markos is shown holding a horn in his right hand and a scroll with the inscription Azь vь Hrista Boga blagověrьni kralь Markos sьzdahь i popisahь sy božestvni hramь. He together with his brother Markos marched in 1389 with the troops of the Ottoman Sultan Murad I against the army of the Serbian Prince Lazaros (Lazar Hrebeljanović) and Bulkos (Vuk Branković) according to the Tronoški rodoslov from the 18th century (Amuratь že ōbrativь voinstvō skoe na deržavu lazarevu, predvodimь markomь i andreemь). He together with Konstantinos Dragases as Ottoman vassals marched on the side of the Sultan Bayazid I. against the Wallachian army led by Mircea the Elder. He perished in the battle of Rovine on 17th May 1395. Markos is the hero of the Serbian epic poetry.
Novakь (1) Person Mentioned in the land-inventory of the church of Saint Stephen in the village of Konče, which was created after the church became a possession of the Hilandar Monastery. Probably already dead before the 9th May 1366. Apparently nobleman of Nikola Stanjević. He possessed a settlement site with slaves (selište Novakovo ōtročko ōsvěnь Trěskavca prěma jezu što je s one strane Lukavice ōd g…..a Radeša u Lukavice do klisure i do Lukavice tozi je bilo vse Novakovo, razve na tomьzi poli paričьko…), the so-called stlp (stlьpь Novakovь prěma Grubači), two cleared lands (trěbežь ōtroka Novakova konь mlina vojevodina; Novakovь trěbežь na grebeni), nine fields (U Dubrave niva Novakova Črьlenica i druga koine i tretija niva koine; niva Novakova na Muhavci; niva Novakova na Proseniku; niva Novakova za Trěskavcemь i druga za Trěskavcemь nadь strednemь vodenicomь; Novakove 2 nive konь srědne vodenice), a meadow (i livada Novakova konь sela), a flax field (i po dьnu i na dьnu Novakova lьništa), a mill (Stailova niva konь mlina Novakova) and a watermill (I za Trěskavacь vodenica Novakova) in the vicinity of the village of Trěskavec.
Stanjevikь Nikola Person Identical with the nobleman Nikola, who is mentioned in the inscription above the southern entrance of the Church of the Holy Virgin in Drenovo? He was the petitioner of the charter of the Serbian Emperor Stefan Uroš V concerning the donation of the Church of Saint Stephen in Konče with all its possessions to the Hilandar Monastery on Mount Athos from the 9th May 1366. He appears as "mnogovьzljublenni vlastelinь i brat carьstva mi" in the charter. He was the grand duke (veliki vojevoda). He became a land near the village Konče probably after 1346 from the Serbian Emperor Stefan Uroš IV Dušan. He erected the Church of Saint Stephen in the village of Konče (priloži i da mu potpiše carьstvo mi materi Bōžijei hilandarьskōi crьkьvь u Kon’či Svetago Stěfana što si jestь sьzidalь svoimь trudōm i ōtkupumь u svojei baštině zapisanoi, što mu jestь zapisalь i utvrьdilь roditelь carьstva mi, u baštinu do věki, svetopočivьši carь). The marble tomb slab, which was kept in the narthex of the Church of Saint Stephen in Konče, bore an inscription mentioning him as the grand duke and founder of the church († Nikola Stanevikь veliki voevoda ktitor). He donated people, vine stocks, fields and fruit trees (dade gospodinь vojevoda podь svetoga Stefana svetogorcemь: ljudi, lozija, nivija, vokija) to the Church of Saint Stephen in the village of Konče. On 9th May 1366 the Serbian Emperor Stefan Uroš V carried out the desire of the grand duke Nikola Stanjević and donated the Church of Saint Stephen in Konče, several villages in the surrounding of the village Konče and other possessions to the Hilandar Monastery (I tuzi crьkьvь prilaga i potpisuje carьstvo mi materi Božijei halandarskōi, vь pomenь brata carьstva mi vojevode Nikole i vsěmi seli crьkve Svetago Stěfana...i sela ina koja se nahode u meteseh kōnčkihь, mala, golěma kude jestь posadilь vojevoda ōtroke svoje. I sijazi sela više pisanna Svetago Stefana da si ima i drži božьstvnnaja crьkьvi mati Božija Hilandarska s ljudmi, s vinogradi, s planinami, s vodeničijem, sь je livadijemь i prosto rekše sь vsěmi megjami i pravinami i sь vsěmь periōrōm selь tehь). His possessions near the village Konče, Lubnica and Trěskavec are mentioned in the land-inventory of the church of Saint Stephen in the village of Konče, which was created after the church became a possession of the Hilandar Monastery. He owned two so-called stlps (vojevodinь stlьpь podь Vodeni Dolь; i podь Ōhrьčevemi kukami stlьpь vojevodinь koi Ōhrьčь drьži i Luka podь vojevodinu vodenicu i stlьpь koi drži Ōhrьčь i Dragina livade), a field (niva vojevodina na brode Prьševьskomь), a mill (trěbežь ōtroka Novakova konь mlina vojevodina), a watermill (vojevodina vodenica) and a vineyard (niva Dodejeva nadь lozijemь vojevodinemь). He donated an illuminated gospel manuscript (Hilandar Nr. 14) written by the monk Theōktistь to the Hilandar Monastery (Azь rabь Hristovь Stanjevikь velikyi voevoda Nikola priložihь sii světii i božьstvьnii tetravan’gelь prěčistoi Bogorodici hilan’darьskoi i molju jegože izvoli Bogь igumena i vsu bratiju vь domu svetije Bogorodice hilan’darьskyje ili gos’podьstvujušta srьbskoju zem’ljeju sije směreno trudoljubije ne ōtneti ōt domu Bogorodice hilan’darьskyje).
Veterь Dobroslavь Person Mentioned in the land-inventory of the Church of Saint Stephen in the village of Konče, which was created after the church became a possession of the Hilandar Monastery. He sold a vineyard in the vicinity of the village Konče to Zgurь (a vo lozije u Zgure, što je kupilь u Dobroslava Vetra). He possessed two cleared lands near Konče. One of his lands neighboured the so-called stlp of Verihna (stlьpь Verihninь na Brěstove brьde, a konь nega Vetrovь trěbežь; i pakь Větrovь trěbežь tuge na Brestove vrьde) and the other was under the vineyard of Bratešь (podь Brateševo lozije trěbežь Větrovь).
Places (1)
Name Class Begin End Description
Kavadarci, Drenovo, The Church of the Virgin Mary Place The church dedicated to Virgin is located near the village of Drenovo (Дреново), about 13 kilometers west of Kavadarci. Architecture: The Church of the Virgin in Drenova has not been preserved in its authentic form. The biggest renovation of the church took place at the beginning of the 19th century, when the northern and western walls of the church were rebuilt, and the southern wall was lowered. At the same time, a wooden gallery was built on the west side. Despite these changes to the original construction, it is possible to reconstruct the original architectural structure of the building. From the point of view of architectural typology, the church is a very interesting achievement. It is a special combination of a basilica and a church of the inscribed cross. The base of the inscribed cross has a nave, with a dome resting on massive pilasters, which are connected on the south, north and west sides by two-arched passages supported by columns. On the eastern side, there is a spacious altar space, the apse of which is semicircular on the inside, and five-sided on the outside. The space below the dome is surrounded on three sides by aisled spaces which ends on the eastern part with pastophoria. The side aisles of the ambulatory had galleries. The central aisle of the western part of the ambulatory, that is, the narthex, was also surmounted by a dome, or blind calotte. Sculptural Decoration: A certain part of the original sculptural decoration has been preserved in the Church of the Virgin in Drenova. The first group within the architectural sculpture of the church consists of spolia, probably taken from the nearby early Christian basilica in Mutičanski dol. The second group includes the sculptures that are still in the church today (a fragment built into the north jamb of the west door, the mullion of an altar bifora, the capitals of the columns, etc.), as well as the fragments that are kept in the Archaeological Museum in Sofia. The fragments are decorated with floral motifs, crosses and fantastic animals (griffins, lions). On the basis of stylistic peculiarities, i.e. the closest analogies (sculpture of the church of St. Sophia in Ohrid, fragments from the church of St. Stephen in Konča), the architectural sculpture from Drenovo is mostly dated to the 11th century. Moreover, it was assumed that the sculpture from Drenovo and Konče were made by the same workshop. Dating: On the basis of the presented architectural features of the church, i.e. the stylistic features of the sculptural decoration, the prevailing opinion in the scientific literature is that it is a monument of Byzantine architecture of the 11th century. In recent times, however, a different opinion has been expressed about the time of the creation of the church in Drenovo. Contrary to the views of her predecessors, Marica Šuput believes that the church was built in the fifth or sixth decade of the 14th century. She claims, that it could be the endowment of a Serbian nobleman from the time of king/emperor Dušan. In doing so, the author has in mind first of all the architectural features of the building, to which she finds the closest analogies in the church of the Virgin Olimpiotissa in Elassona, built in the second quarter of the mentioned century. Apart from that, Šuput believes that certain examples of architectural plastic due to their stylistic peculiarities belong to the art of the 14th century, which, although without explanation, was also considered by some earlier researchers (G. Petrov). Furthermore, Marica Šuput also takes into account the content of the very damaged fresco-inscription above the southern entrance to the building, in which, according to the reading of Radoslav Grujić, published by Vojislav Radovanović, is mentioned painter Dimitar who decorated the church in the time of emperor Stefan. Finally, the author draws attention to the fact that in 1378 Konstantin Dragaš donated a church to the monastery of Saint Panteleimon on Mount Athos.