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Description |
Dejanь
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Person
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The identification with the duke (vojvoda) Dejanь Manijaakь (Deianus Maniiachus), known from the charter of the Serbian King Stefan Uroš IV Dušan concerning the town Ston, which was issued on the 22th January 1333, is doubtful. It was also suggested that he is the same person as Dejanь Dragaš. He is mentioned in the fragmentary inscription from the Church of Saint Nicholas in the village Kalotina, which was made during the reign of the Bulgarian Tsar Ivan Alexander. He is also attested in the ktitorial composition from the Church of the Presentation of the Virgin in Kučevište, which bears an identifying inscription. The wall paintings in Kučevište can be dated between 1331 and 1334. He appears as sevastь in the dedicatory inscription from Kalotina. He held the position of voivoda (duke). His wife was Vladislava. The names of their sons were Iōanь and Dmitarь?. He together with his wife Vladislava erected the Church of Saint Nicholas in the village Kalotina. His effort is praised in the dedicatory inscription in the naos of the church. He and his wife are portrayed on the southern wall of the narthex in the Church of the Presentation of the Virgin in the village Kučevište. On the right side of his painting an inscription is bearing his name and his function (voivoda Deanь). He and his noble family apparently changed sides and supported the Serbian king Stefan Uroš IV. Dušan.
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Doja
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Person
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Mentioned in the inscription next to the portrait of a woman on the south wall of the Church of Saint John the Theologian at the Zemen Monastery. The depiction is part of the ktitorial composition. The wall painting of Doja can be dated around 1360. She was the spouse of Dejanь? She was the mother of Vitomirь and Stajo. She was a sponsor of the Church of Saint John the Theologian at the Zemen Monastery. She is portrayed on the southern wall of the naos in the church next to her husband. On the right side of the painting of Doja is an inscription (i podružie ego doja i čǫda imь).
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Dragusinos Ioannes
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Person
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He died before 1340. He appears as istin’ny i vsesrьdčny bratь kraljev’stva mi in the chrysobull charter of the Serbian King Stefan Uroš IV Dušan concerning the Church of Saint George at Pološko. He is mentioned as ΑΥΤΑΔΕΛΦΟΣ ΤΟΥ ΙΨΙΛΟΤΑΤΟΥ ΚΡΑΛΙ ΚΑΙ ΑΥΘΕΝΤΟΥ ΗΜΩΝ in the inscription next to his portrait. Most of the scholars believe that he was the son of the Despot Eltimeres and the βασίλισσα Marina. The wording of the inscription next to the portrait of his wife implies that he could be the son-in-law of Eltimeres (ΔΕΗΣΙΣ ΤΗΣ ΔΟΥΛΙΣ ΤΟΥ ΘΕΟΥ ΑΝ... ΣΙΝΒΙΟΥ ΑΥΤΟΥ ΚΑΙ ΘΥΓΑΤΡΟΣ ΤΟΥ ΔΕΣΠΟΤΟΥ). He had a son (ΔΕΗΣΙΣ ΤΟΥ ΔΟΥΛΟΥ ΤΟΥ ΘΕΟΥ ΔΡΑΓ...ΤΟΥ ΥΙΟΥ ΚΑΙ Ο ΘΕΟΣ ΣΟΣΙ ΑΥΤΟΝ ΗΣ ΕΤ Η ΠΟΛΑ). He was buried in the Church of Saint George at Pološko (ΕΚΟΙΜΙΘΕΙ Ο ΔΟΥΛΟΣ ΤΟΥ ΘΕΟΥ ΙΩΑΝΝΗΣ Ο ΔΡΑΓΟΥΣΙΝΟΣ ΚΑΙ ΟΙΟΣ ΤΟΥ ΔΕΣΠΟΤΟΥ ΤΟΥ ΑΛΔΙΜΙΡΟΥ ΚΑΙ ΑΥΤΑΔΕΛΦΟΣ ΤΟΥ ΙΨΙΛΟΤΑΤΟΥ ΚΡΑΛΙ ΚΑΙ ΑΥΘΕΝΤΟΥ ΗΜΩΝ ΓΕΓΟΝΕΝ ΔΕ Ο ΝΑΟΣ ΟΥΤΟΣ ΗΣ ΜΝΙΜΟΣΙΝΟΝ ΑΥΤΟΥ ΚΑΙ Ο ΘΕΟΣ ΣΟΣΙ ΑΥΤΟΝ). He is depicted together with his wife below the portrait of the Serbian King Stefan Uroš IV Dušan in the northern section of the western façade of the church.
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Eltimeres
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Person
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He was probably killed in 1305. He held the title of Despot. The question, who bestowed him with the title of despot, remains unresolved. He ruled almost independently in the region of Krounos (Krŭn) in Rhodope (κατὰ τὸν Κρουνὸν ἐξάρχοντα). He received this territory probably as dowry. He was the brother of the Bulgarian Tsar George Terter I. He was the son-in-law of the Bulgarian Tsar Smilets and his wife Smiltsena Palaiologina (γαμβρόν γε ὄντα Σμιλτζαίνης), since he married their daughter Maria (Marina). His nephew was Theodor Svetoslav. He was the father or the father-in-law of Ioannes Dragusinos (ΕΚΟΙΜΙΘΕΙ Ο ΔΟΥΛΟΣ ΤΟΥ ΘΕΟΥ ΙΩΑΝΝΗΣ Ο ΔΡΑΓΟΥΣΙΝΟΣ ΚΑΙ ΟΙΟΣ ΤΟΥ ΔΕΣΠΟΤΟΥ ΤΟΥ ΑΛΔΙΜΙΡΟΥ). He was apparently of Cuman origin. He acted as a loyal supporter of Smiltsena after the death of her husband. He offered her a place of refuge in the region of Krounos (Krŭn). The Bulgarian Tsar Theodor Svetoslav gained his trust after he donated the fortresses Diampolis (Jambol) and Lardaia to him. Eltimeres defeated and blinded sebastokrator Radoslav, the brother of the Bulgarian Tsar Smilets, who aspired to the Bulgarian throne with the aid of the Byzantines. He handed over Radoslav and the captured byzantine noblemen to the Bulgarian Tsar Theodor Svetoslav. He marched in 1304 with Theodor Svetoslav against the Byzantines, although his mother-in-law and a byzantine embassy tried to dissuade him with gifts and pronoia promises from joining the alliance with the Bulgarian Tsar. Another intercesssion of his mother-in-law ended with success. He switched the sides and fought with the Byzantines against the Bulgarian Tsar. The hostilities led to the reconcquest of the fortresses Diampolis and Lardaia and the capture of the territory of Krounos by the Bulgarian Tsar Theodor Svetoslav.
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Grubadinь
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Person
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Mentioned in two notes writtten in the manuscript of collected liturgical and other texts, which has been preserved in the Chludov collection of the manuscripts at the State Historical Museum in Moscow under the signature 237. Most of the Bulgarian scholars date the manuscript at about the period of 1340–1350. He probably held the position of the governor of the Porěčie district (kefalije, kepalija). He appears as a scribe of the manuscript in the prayer inscription on the folio 57v (A se Grubadinь grešni pisa kepalija u kuli Zagradskoi, i ašte kto pročte sija slovca, molju vi, bratije, rьcete bogь da prosti grešnago Grubadina, a vasь bogь). Most of the Bulgarian scholars suggested, that Grubadin wrote the manuscript in the Parorie region. On the contrary Serbian scholars assumed, that the place of the origin of the manuscript was Zagrad in the Porěčie district. The other marginal note from Grubadinь relates about the message to his lord Andrejaš, probably the son of the Serbian King Demetrios Blukasinos, about the disobedience of his garrison force (Gospodinu mi Andrejašu ōd Grubadina tvoegō kefalije...tuži mi se ōt [tvoih?] junakь neposluha).
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Marina
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Person
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The wording of the greek inscription in the Church of Saint George at Pološko may support the assumption that she accepted the name Maria as a nun. Some authors think that her monk’s name was Marina. Mostly Bulgarian scholars tend to identify her with Marija († 7. 4. 1355) from the epitaph in the Church of Saint Demetrius in Skopje. She lived before 1343/1345 and maybe after it. She appears as βασίλισσα in the greek inscription. She was married to Despot Eltimeres (despotica). It is not clear, whether Ioannes Dragusinos was her son or son-in-law. She was the daughter of the Bulgarian Tsar Smilets. The marriage with Eltimeres took place before 1299. She emigrated to Serbia with her family after the death of her husband probably in 1305. She founded the Church of Saint George at Pološko as the burial place for Ioannes Dragusinos. She commissioned the fresco decoration of the church. Her portrait on the western facade near the entrance of the church is accompanied by a greek inscription (ΔΕΙΣΙΣ ΤΗΣ ΔΟΥΛΗΣ ΤΟΥ ΘΕΟΥ ΜΑΡΙΑΣ ΤΗΣ ... ΤΗΣ ΒΑΣΕΙΛΙΣΑΣ ΤΗΣ ΟΝΟΜΑΣΘΕΙΣΗΣ ΜΑΡΙΝΑΣ ΚΑΙ ΚΤΙΤΟΡΙΣΑΣ ΤΟΥ ΝΑΟΥ). She is depicted as a nun wearing the model of the church. The Serbian King Stefan Uroš IV Dušan donated the Church of Saint George at Pološko with endowment at the request of Marina (Maria) to the Monastery of Hilandar (da jestь tazi crьkvь i s těmizi selami Bogorodice hilan’dar’ske do dьni i do věka u pomenь kraljevstva mi i bratu kraljevstva mi Dragušinu i u večnu pametь, s volomь i sь hotěnijemь kraljevstva mi despotice).
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Stajo
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Person
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Identical with Staniša 2? Mentioned in the inscription next to the portrait of a child on the west wall of the Church of Saint John the Theologian at the Zemen Monastery. The depiction is part of the ktitorial composition. The wall painting of Stajo can be dated around 1360. His parents were Despot Dejanь? and Doja. His brother was Vitomirь. He was a member of a family, which sponsored the Church of Saint John the Theologian at the Zemen Monastery. He is depicted as a child. His portrait is on the west wall of the naos. The wording of the inscription can be interpreted as follows (molba raba božija staja).
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Stanislavь (3)
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Person
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He was active between 1330 and 1342 in the Monastery of the Archangel Michael and Holy Father Gabriel in Lesnovo. He was a scribe. He came from Štip according to the inscription on a fresco of Jesus Christ in the Church of Saint George in Gorni Kozjak (azь stanislavь gramatikь ōt štipa). His marginal note is preserved in the prologue (Belgrade, SANU 53) with the short biography of the Saint Gabriel of Lesnovo from 1330 (rǫkoję mnogogrěšnaago raba božija Stanislava). Stanislavь copied a Menaion at the request of Jovan Oliver in 1342 according to the colophon of the manuscript (rukoju mnogogrěšnago Stanislava). Ilija Velev supposes that Stanislavь worked in the Marko’s Monastery near Skopje in 1353, since he left a marginal note in the manuscript of the Prologue for the Months September-November (ōt zde počehь Stanislavь dïakь).
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Tahate
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Person
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Attested in the manuscript of Ephrem the Syrianʼs paraenesis from 1353. He was a monk and scribe in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lesnovo. The colophone of the manuscript of Ephrem the Syrianʼs paraenesis gives account about the monk Tahate, who was commisioned by Arsenije, the Bishop of Zletovo, to copy the works of the Syrian father (povelěvšomu mi pisati sihь knigь moeǫ hudostiǫ tahate črьnьcь).
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Vitomirь (2)
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Person
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Identical with Vitomirь 3? Mentioned in the inscription next to the portrait of a young man on the west wall of the Church of Saint John the Theologian at the Zemen Monastery. The depiction is part of the ktitorial composition. The wall painting of Vitomirь can be dated around 1360. His parents were Despot Dejanь? and Doja. His brother was Stajo. He was a member of a family, which sponsored the Church of Saint John the Theologian at the Zemen Monastery. He is depicted as a young man. His portrait is on the west wall of the naos. The wording of the inscription can be interpreted as follows (molba raba božija vitomira).
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