| Name |
Class |
Begin |
End |
Relation Type |
Description |
|
(Paskačić) Vladko
|
Person
|
|
|
|
Mentioned in the charter of the Serbian Emperor Stefan Uroš IV Dušan concerning the Church of Saint Nicholas in Psača from 1354/1355 and in the inscription accompanying his painted portrait in the Church of Saint Nicholas in Psača. The portrait of Vlatko was painted probably between 1365 and 1371. He appears as prěvьzljubljenʼny i pravověrnii vlastelinь carstva mi in the charter of the Serbian Emperor Stefan Uroš IV Dušan. The inscription describes him as sevastokratorь vse srьpьske zemlie vladko. The Serbian Emperor Stefan Uroš IV Dušan gave in 1354/1355 permission to his nobleman Vladko (Paskačić) to donate the Church of Saint Nicholas in Psača, which Vladko erected on the inherited property of his father Paskačь, together with the appertaining metochion to the Hilandar Monastery (I vьspomenu carstvu mi prěvьzljubljenʼny i pravověrnii vlastelinь carstva mi Vladko ō crьkvy svetago Nikoly jaže jestь sьzdalь na svoōi baštině Pʼsači a sь blagoslovljenijemь carstva mi...i poljubi prěd carstvomʼ mi i priloži svoju baštinu crьkvь svetago Nikoli na Psači prěsvetěi Bogorodici hilandarьskoi sь vsěmь metehōmь). The painted portrait of Vladko is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača. The fresco displays him with his whole family. The representation of Vladko and his father Paskać, who are hoisting the model of the church to the icon of Saint Nicholas, can be described as an act of the joint ktetorship.
|
|
Damianos (2)
|
Person
|
|
|
|
He was born after 1340/1341. Mentioned in the sources from 1347 to 1349/1350. He was the son of Ioannes Liberos (᾿Ιωάννης Λίβερος, Jovan Oliver) and Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija,). His uncle was Mpogdanos (Μπογδάνος, Bogdan). He was the brother of Kraikos (Κράϊκος, Krajko), Vidoslavь, Dabiživь, Rusinь, Oliverь and Danica. Ioannes Liberos together with his wife and their sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Ioannes Liberos together with his wife and their son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. Ioannes Liberos, Maria Liberissa, Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β).
|
|
Kraikos
|
Person
|
|
|
|
Mentioned in the sources from 1340/1341 to 1381. He was the son of Ioannes Liberos (᾿Ιωάννης Λίβερος, Jovan Oliver) and Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija,). His uncle was Mpogdanos (Μπογδάνος, Bogdan). He was the brother of Damianos (Δαμιανός, Damjan), Vidoslavь, Dabiživь, Rusinь, Oliverь and Danica. According to the stone inscription above the Western Entrance of the Katholikon in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo from 1340/1341, his father Ioannes Liberos, his mother Maria Liberissa and he sponsored the reconstruction and the painted decoration of the monastery. Ioannes Liberos, Maria Liberissa and Kraikos (Κράϊκος, Krajko) endowed the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo with lands in the surrounding area (sьzda se světlyi i čьs(t)nъï.hramь.velikago vojevode vьïšnih silь. Arhistratiga Mihaila. Sьzda se i sьvrьši se. Vь dni Stefan(a) kral(a). Sь trudomь. Ï podanijemь raba B(ož)ija Ïōan(a) veikago voevode Ōlivera. I podružija ego rabu B(o)žiju Annu. Maru i vьzljublennago emu s(y)na Kraika. V(ь) lět(o). ƺ.ō.m.ḟ. se že sela i metohïe. Selo konь crkve Lěsnovo. Sь zaselkomъ Lukovu i u Bakově crkvь S(ve)t(o)ga Nikole sь selomь. Ï na rěcě zaselьkь Globica i selo Dobrьevo i u Drěvěnoi. S(ve)tьï Elisei i zaslьk Peštno i S(ve)ty Prokopije. I katunь Vlah(a) na Stroi i u Štipě S(ve)ty Nikola pop Sïfievь. i. k. kukei). Ioannes Liberos together with his wife and his sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Ioannes Liberos together with his wife and their son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. The portrait of Kraikos (Κράϊκος, Krajko) is situated on the northern wall of the chapel. Ioannes Liberos, Maria Liberissa, Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β). According to the charter of the Serbian Despot Konstantin Dragaš for the Hilandar Monastery from 15th August 1381 Maria Liberissa expressed short before her death the will that the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo should devolve after her death on the Hilandar Monastery. Her sons Kraikos (Κράϊκος, Krajko) and Rusinь confirmed that their mother wanted to donate the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo to the Hilandar Monastery (I kako je i despotica Ōlivera despota na sьmrьti rekla i sь synōma svoima Kraikōmь i Rusinomь da je paki tai crьkvь Hilandaru).
|
|
Liberissa Maria
|
Person
|
|
|
|
The hypothesis of J. Radonić that Maria Liberissa was identical with Maria Palaiologina (Μαρία Παλαιολογίνα) was refuted by M. Laskaris. Mentioned in the sources between 1340/1341 and 1349. She is mentioned as a deceased person in the charter of the Serbian Despot Konstantin Dragaš for the Hilandar Monastery from the 15th August 1381. She appears as Despotica (1347–1350, before 1381) and βασίλισσα (1349). It is not clear, if her father was Georgios Karabides (Γεώργιος Καραβίδης). She was married to Ioannes Liberos (᾿Ιωάννης Λίβερος, Jovan Oliver). They had together six sons (Kraikos [Κράϊκος, Krajko], Damianos [Δαμιανός, Damjan], Vidoslavь, Dabiživь, Rusinь, Oliverь) and one daughter (Danica). According to the stone inscription above the Western Entrance of the Katholikon in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo from 1340/1341, she, her husband Ioannes Liberos (Ioan Oliver) and her son Kraikos (Κράϊκος, Krajko) sponsored the reconstruction and the painted decoration of the monastery. She, her husband and her son Kraikos (Κράϊκος, Krajko) endowed the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo with lands in the surrounding area (sьzda se světlyi i čьs(t)nъï.hramь.velikago vojevode vьïšnih silь. Arhistratiga Mihaila. Sьzda se i sьvrьši se. Vь dni Stefan(a) kral(a). Sь trudomь. Ï podanijemь raba B(ož)ija Ïōan(a) veikago voevode Ōlivera. I podružija ego rabu B(o)žiju Annu. Maru i vьzljublennago emu s(y)na Kraika. V(ь) lět(o). ƺ.ō.m.ḟ. se že sela i metohïe. Selo konь crkve Lěsnovo. Sь zaselkomъ Lukovu i u Bakově crkvь S(ve)t(o)ga Nikole sь selomь. Ï na rěcě zaselьkь Globica i selo Dobrьevo i u Drěvěnoi. S(ve)tьï Elisei i zaslьk Peštno i S(ve)ty Prokopije. I katunь Vlah(a) na Stroi i u Štipě S(ve)ty Nikola pop Sïfievь. i. k. kukei). Her name appears on a metal polycandilion with an inscribed medallion, which was ordered for the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo by Ioannes Liberos, when he held the position of the Grand Duke (voevoda oliver anna marija). Maria Liberissa together with her husband and her sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Maria Liberissa together with her husband and her son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. The portrait of Kraikos (Κράϊκος, Krajko) is situated on the northern wall of the chapel. Maria Liberissa and her family sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β). According to the charter of the Serbian Despot Konstantin Dragaš for the Hilandar Monastery from 15th August 1381 Maria Liberissa expressed short before her death the will that the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo should devolve after her death on the Hilandar Monastery. (I kako je i despotica Ōlivera despota na sьmrьti rekla i sь synōma svoima Kraikōmь i Rusinomь da je paki tai crьkvь Hilandaru).
|
|
Liberos Ioannes
|
Person
|
|
|
|
Mentioned in several sources between 1336 and 1354. The inscription placed next to the portrait of Ioannes Liberos on the north wall of the naos in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo lists all dignities, which were granted to him during his career (azь rabь hristovь iōanь ōliverь po milosti božiei i gospodina mi krala stefana bihь u srьblemь veliky čelnikь potom veliki sulga potomь veliki voevoda potomь veliky sevastokratorь i/a za věrnoe emu porabotanije po milosti božiei i veliki despotь vseja srьbskije zemle i pomorьskije i učestnikь grьkomь). Srdjan Pirivatrić presumes that the titles of grand sebastrokrator, grand despot and učestnik, were bestowed upon Ioannes Liberos by Byzantine imperial authorities before coronation of the Serbian Emperor Stefan Uroš IV Dušan in 1346. He held the position of veliki čelnik, before 1341. veliki sluga (megas domestikos), 1332–1341 (ja sluga veli Ōliverь/Iōanь veliki sluga Ōliverь vьse srpskie zemlie i pomorskie). veliki vojvoda (megas dux) 1341/1342 (sь trudomь i podanijemь raba božija ioana velikago voevode olivera; Veliki voevoda Ōlïver povelě pisati, a Stanislavь pisa; ōbьdrьžeštu ōblastiju vseju ōvčepolьskoju velikomu vojevodě Ōliveru, vь horě Zletovcěi; jegože velikyi vojevoda Ōliverь sьzda is temelja; povelěnijemь gospodina velikago vojevode Ōlivera; Bogь da prostitь velikago vojevodu Ōlivera). He was the son-in-law of Georgios Karabides (Γεώργιος Καραβίδης). His brother was Mpogdanos (Μπογδάνος, Bogdan). He was married to Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija). He had six sons (Kraikos [Κράϊκος, Krajko], Damianos [Δαμιανός, Damjan], Vidoslavь, Dabiživь, Rusinь, Oliverь) and one daughter (Danica). Already in 1334 he got acquainted with Ioannes Kantakuzenos during the meeting between the Byzantine Emperor Andronikos III Palaiologos and Stefan Uroš IV Dušan in Rhadobosdion (Radovište). They became friends. Jovan Oliver entrusted before 1341 his subordinate Todorь with the task to settle the deserted settlement site Sveti Dimitrije in Jastrebnica, which was in possession of the Monastery of Saint Demetrius in Kočane. Jovan Oliver issued between 1332 and 1341 a charter, in which were listed the rights and duties of Todorь at Sveti Dimitrije in Jastrebnica (Naidohь selište pusto Svetago Dimitrija u Jastrebnicě i podahь moga člověka Todora, koi mi se prěda izь Grьkь, po ruce da naseli ōmozi selo). Ioannes Liberos, the son-in-law of Georgios Karabides, stated on 28th June 1336 in the presence of Nikola Falletro, the comes of the town of Ragusa, that he received the former treasury of Karabides from Junije Lukarević. Ioannes Liberos swore that he will give the treasury to the Serbian King Stefan Uroš IV Dušan and request a charter for Junije Lukarević from the king, which will confirm the receipt of treasury and ruled out the possibility of demand by the king, Liberos or the children of Karabides (Oliuer Gherchinich, baro domini Regis Raxie et gener Charauide, constitutes ante presentiam nobilis et potentis viri domini Nicolai Falletro, honorabilis comitis Ragusii, contentus e confessus fuit habuisse et recepisse et apud se habere a Junio de Lucarom de Ragusio unam centuram de argento et unam ladicam de argento, ponderis inter ambas librarum tredecim et unciarum V, et centum nonaginta quinque ducatos de auro, que centura et ladica et ducati acomandati fuerunt per dictum Carauidam, socerum olim dicti Oliueri, eidem Junio, ut idem Junius confessus fuit. Et similiter idem Oliverius confessus fuit tantas fuisse res et ducatos, accomandatas eidem Junio per dictum Charauidam et non plures, cum infrascriptis pactis et condictionibus, uidelicet quod ipse Oliuerius teneatur et debeat predictam centuram et ladicam et ducatos dare in manibus domini Regis Raxie in presentia Petri de Ribica et Marini filii Junii de Uolcasso de Ragusio et fieri facere ab ipso Rege eidem Junio de Lucaro unam apouiliam, sigillatam suo sigillo, continentem, qualiter ipse dominus Rex uel suus successor nec frater, filii seu filia dicti Charauidi seu aliqua alia persona de dicta centura et ladica et ducatis non possint facere uel mouere aliquam litem uel questionem in regno Raxie et Slauonie seu in aliquo loco, in curia uel extra, eidem Junio). Ioannes Liberos owned and received from the Serbian King Stefan Uroš IV Dušan landed estates in the region of Ovče Pole, Zletovo and Tikveš for his service. According to the stone inscription above the Western Entrance of the Katholikon in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo from 1340/1341, he, his wife and his son Kraikos (Κράϊκος, Krajko) sponsored the reconstruction and the painted decoration of the monastery. He, his wife and his Kraikos (Κράϊκος, Krajko) endowed the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo with lands in the surrounding area (sьzda se světlyi i čьs(t)nъï.hramь.velikago vojevode vьïšnih silь. Arhistratiga Mihaila. Sьzda se i sьvrьši se. Vь dni Stefan(a) kral(a). Sь trudomь. Ï podanijemь raba B(ož)ija Ïōan(a) veikago voevode Ōlivera. I podružija ego rabu B(o)žiju Annu. Maru i vьzljublennago emu s(y)na Kraika. V(ь) lět(o). ƺ.ō.m.ḟ. se že sela i metohïe. Selo konь crkve Lěsnovo. Sь zaselkomъ Lukovu i u Bakově crkvь S(ve)t(o)ga Nikole sь selomь. Ï na rěcě zaselьkь Globica i selo Dobrьevo i u Drěvěnoi. S(ve)tьï Elisei i zaslьk Peštno i S(ve)ty Prokopije. I katunь Vlah(a) na Stroi i u Štipě S(ve)ty Nikola pop Sïfievь. i. k. kukei). He supplied the monastery with the Menaion. The scribe Stanislavь, who wrote the menaion, recorded, that Ioannes Liberos donated also frames for the screen icons and church vessels to the monastery with the intention to grant the monastery to the Hilandar Monastery (velikyi vojevoda ōliverь sьzda is temelija i sьvrьšivь i popisa i vsakimi dorotami ukrasivь, sьsudï zlatьïmi i srebrьnьïmi pokova velikyje ikony srebromь i zlatomь, jakože jestь lěpo domь božii ukrašati, podavь sela i metohije i pašišta i livade i planine milostiōvь kralevovь utvrьdivь vse sinore i zapisavь zlatopečatnymь hrisovulomь i prědastь ju u svetu goru stoi bogorodici hilandarьskoi sь vsakymь utvrьždenijemь). As a Grand Duke, Ioannes Liberos, ordered the fabrication of a metal polycandilion with an inscribed medallion for the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo (voevoda oliver anna marija). When the Byzantine Emperor Ioannes VI Kantakuzenos had proceeded in 1342 with his army along the right bank of the river Vardar, he discovered the forces of Ioannes Liberos near Belesos (Veles). The Byzantine emperor sent an envoy to Liberos in order to remind him of the friendly contacts they had before. Very short after the Byzantine Emperor Ioannes VI Kantakuzenos had crossed the river, Ioannes Liberos hosted him and his troops for three days. The Byzantine Emperor Ioannes VI Kantakuzenos, who placed reliance on Liberos, even proposed a marriage between his son Manuel and Danica, the daughter of Liberos. Ioannes Liberos provided accomodation for the Byzatine emperor and his troops in Skopje. In the meantime Liberos visited the Serbian King Stefan Uroš IV Dušan in the area of Morava. Liberos persuaded the Serbian King Stefan Uroš IV Dušan to receive the Byzantine Emperor Ioannes VI Kantakuzenos favourably. The Serbian King Stefan Uroš IV Dušan then sent Mpogdanos (Μπογδάνος, Bogdan), the brother of Ioannes Liberos, to the Byzantine Emperor Ioannes VI Kantakuzenos in order to let him know about his soon arrival in Tao (Pauni) near Pristenon (Priština). In July/August 1342 the Serbian King Stefan Uroš IV Dušan formed an alliance with the Byzantine Emperor Ioannes VI Kantakuzenos. Ioannes Liberos brought the Serbian King Stefan Uroš IV Dušan to convince the Byzantine Emperor Ioannes VI Kantakuzenos in regard of the engagment beween Danica and Manuel. Ioannes Liberos then accompanied the Byzantine Emperor with the Serbian auxiliary forces on the campaign to the town Serres. He fell ill before the gates of town of Serres. As sebastokrator Ioannes Liberos donated another medallion with monogramms for the polycandilion in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The monastic endowment of Ioannes Liberos became a seat of new founded Episcopy of Zletovo between 1346 and 1347, which is documented in the charter of confirmation issued by the Serbian Emperor Stefan Uroš IV Dušan (v’seljubimomu vlastelinu svetago carьsva mi despotu Ōliveru, iže jestь sьzdalь svetyi hramь ōnь ōtь osnovanija, iže vь městě Lěsnově, i ukrasivь v’sěkymi lěpotami crьkьvnymi, i udarovavь sel’mi i sь zaselьci, i sь planinami, i sь pročïimi ōtesy zemlje te). Ioannes Liberos together with his wife and his sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Ioannes Liberos together with his wife and his son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. The portrait of Kraikos (Κράϊκος, Krajko) is situated on the northern wall of the chapel. Ioannes Liberos and his family sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β). Ioannes Liberos appears for the last time in the papal letter from May 1354, in which Innocent VI. sent the identical instructions for the most powerful nobles in the Serbian empire, who contributed to the possibility of an union between the Serbian and Roman churches (Oliverio despoto Serviae).
|
|
Ozra
|
Person
|
|
|
|
She was probably already dead before 1354/1355. She was married to Paskačь and therefore held the title of knegyna. Her son was Vladko. The painted portrait of Ozra is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača next to the image of Paskačь.
|
|
Paskačь
|
Person
|
|
|
|
He was already dead before 1354/1355. He held the title of knezь. He and his son Vladko founded together the Church of Saint Nicholas in Psača. The painted portrait of Paskač is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača. The fresco displays him with his whole family. The representation of Paskač and his son Vladko, who are hoisting the model of the church to the icon of Saint Nicholas, can be described as an act of the joint ktetorship.
|
|
Vladislava (1)
|
Person
|
|
|
|
Mentioned in the fragmentary inscription from the Church of Saint Nicholas in the village Kalotina, which was made during the reign of the Bulgarian Tsar Ivan Alexander. Attested also in the ktitorial composition from the Church of the Presentation of the Virgin in Kučevište, which bears an identifying inscription. The wall paintings in Kučevište can be dated between 1331 and 1334. She appears as sevasьtica in the inscription from the Church of Saint Nicholas. She was married to the duke (voivoda) Dejanь. The names of their sons were Iōanь and Dmitarь?. She together with her husband Dejanь erected the Church of Saint Nicholas in the village Kalotina. Their effort is praised in the dedicatory inscription in the naos of the church. She and her husband are portrayed next to the Serbian King Stefan Uroš IV Dušan and her wife Jelena on the southern wall of the narthex in the Church of the Presentation of the Virgin in the village Kučevište. Her identity is confirmed by an inscription bearing her name (voivodica Vladislava). Her noble family apparently changed sides and supported the Serbian king Stefan Uroš IV. Dušan. On the facade above the south door of the church there is supplicant inscription of Vladislava and her sons (Primi gdi moleniie rabe svoie Vladislave i čěda eie Iōvana i Dmitra bg da ihь pomene v carstva svoemь).
|
|
Vladislava (2)
|
Person
|
|
|
|
Mentioned in the inscription accompanying her painted portrait in the Church of Saint Nicholas in Psača. The portrait of Vladislava was painted probably between 1365 and 1371. She was married to sevastokratorь Vladko and therefore held the title sevastokratorica. Her sons were Stefanь and Ugleša. The painted portrait of Vladislava is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača next to the image of Vladko.
|