Properties
| ID | 131470 |
|---|---|
| System Class | Bibliography |
| Bibliography | Inbook |
| Case Study | Byzantino-Serbian Border Zones in Transition (1282–1355) , Historical Region of Macedonia TIB 16 |
Description
Peter Soustal/Barbara Schellewald/Lioba Theis, Makedonien in: Reallexikon zur byzantinischen Kunst 5 (eds. Klaus Wessel/Marcell Restle, Stuttgart 1995) 982–1220.
Relations
Actors (2)
| Name | Class | Begin | End | Relation Type | Description |
|---|---|---|---|---|---|
| Amerales | Person | Mentioned in the dedicatory inscription found on the western wall of the Virgin Maryʼs Church in Mali Grad from 1368–1369. He appears as a ὁ πανευγενέστατος Ἀμηράλις ὑιος αὐτοῦ in the inscription next to his portrait. He was the son of the kaisar Nobakos and Kale. His sister was Maria. His father kaisar Nobakos sponsored the renovation and decoration of the Virgin Maryʼs Church in Mali Grad in the year 1368–1369 (Άνηγέρθη ἐκ βάθρου καὶ κόπού καὶ μόχθοῦ ὁ θεϊος κὲ πάνσεπτος ναώς ουτος της υπεραγίας δεσπίνης ἡμων Θεοτόκου καὶ ἀνηστορίθην παρὰ του αὐφθέντου αὐτοῦ πὰνευτυχεστάτου κέσαρος Νοβάκου ἠγουμενέβῶντὸς δὲ Ἰωνὰ μοναχοῦ. Αὐφθεντεύβοντος πανυψηλοτάτου κραλήου τοῦ Βεληκασίνου. Άρχαηερατεύωντος δὲ τῆς ἀγιωτάτης ἀρχιεπησκοπῆς τῆς Πρότης Ἰουστινηανης, ετους ͵ςωοζʹ). The family portrait of Nobakos has been preserved on the western external façade. He and his sister are painted to the left of the virgin, who is the central figure of the ktitorial composition. He is portrayed as a small boy. | |||
| Maria (3) | Person | Mentioned in the dedicatory inscription found on the western wall of the Virgin Maryʼs Church in Mali Grad from 1368–1369. She appears as a πανευγενεστάτη κυρία Μαρια θυγάτηρ αυτου in the inscription next to her portrait. She was the daughter of the kaisar Nobakos and Kale. Her brother was Amerales. Her father kaisar Nobakos sponsored the renovation and decoration of the Virgin Maryʼs Church in Mali Grad in the year 1368–1369 (Άνηγέρθη ἐκ βάθρου καὶ κόπού καὶ μόχθοῦ ὁ θεϊος κὲ πάνσεπτος ναώς ουτος της υπεραγίας δεσπίνης ἡμων Θεοτόκου καὶ ἀνηστορίθην παρὰ του αὐφθέντου αὐτοῦ πὰνευτυχεστάτου κέσαρος Νοβάκου ἠγουμενέβῶντὸς δὲ Ἰωνὰ μοναχοῦ. Αὐφθεντεύβοντος πανυψηλοτάτου κραλήου τοῦ Βεληκασίνου. Άρχαηερατεύωντος δὲ τῆς ἀγιωτάτης ἀρχιεπησκοπῆς τῆς Πρότης Ἰουστινηανης, ετους ͵ςωοζʹ). The family portrait of Nobakos has been preserved on the western external façade. She and her brother are painted to the left of the virgin, who is the central figure of the ktitorial composition. She is portrayed as a young woman. |