Maps of Power

Vasileski 2017

Properties

ID 132068
System Class Bibliography
Bibliography Article
Case Study Byzantino-Serbian Border Zones in Transition (1282–1355) , Historical Region of Macedonia TIB 16

Description

Aleksandar Vasileski, Analysis of the Fragments from Fresco Painting of the Cave Church in the Cultural Complex of Zrze and their Dating, in: Balcanoslavica 46 (2017) 39–55.

Relations

Actors (2)
Name Class Begin End Relation Type Description
Dobroslavь (3) Person Mentioned in the bilingual Greek and Church Slavonic inscription on the niche of the prothesis in the Cave Church of the Monastery of the Holy Transfiguration of Christ (Sveti Spas) in Zrze, which is dated in the year 1368/1369. Probably the painter of the church. The devotional inscription does not clearly indicate the role of Dobroslavь in connection with the church. He could be the painter of the painted decoration of the church, but also a person, who commisioned or sponsored the frescoes (ΔΕΗΣΗΣ ΤΟΝ ΔΟΥΛΟΥ ΤΟΥ ΘΥ ΔΡΑΓΟΣΛΑΒΟΥ ΚΕ ΔΟΠΡΟΣΛΑΒΟΥ and PROSTI BOŽE DRAGOSLAVA I DOBROSLAVA).
Dragoslavь (9) Person During the conservation works on the frescoes in the Church of the Holy Transfiguration of Christ (Sveti Spas) in Zrze an inscription was discovered in the lowest zone of the north wall in the narthex. At the end of the inscription there is a fragmentary preserved name of a person. Vojislav J. Đurić suggested the reading Δέησις τού δούλου τού Θεού σου Δη... and interpreted the name as Demetrios. Zagorka Rasolkoska-Nikolovska proposed the reading ΜΝΗΣΤΙΤΗ ΚΥΡΙΕ ΤΗΝ ΠΣΥΧΗΝ ΤΟΥ ΔΟΥΛΟΥ ΙΟΥ Δ...and considered that the name of the painter was Dragoslav, who was identical with the Dragoslav attested in the Greek and Church Slavonic inscription on the niche of the prothesis in her opinion. Mentioned in the bilingual Greek and Church Slavonic inscription on the niche of the prothesis in the Cave Church of the Monastery of the Holy Transfiguration of Christ (Sveti Spas) in Zrze, which is dated in the year 1368/1369. Probably the painter of the church. The devotional inscription does not clearly indicate the role of Dragoslavь in connection with the church. He could be the painter of the painted decoration of the church, but also a person, who commisioned or sponsored the frescoes (ΔΕΗΣΗΣ ΤΟΝ ΔΟΥΛΟΥ ΤΟΥ ΘΥ ΔΡΑΓΟΣΛΑΒΟΥ ΚΕ ΔΟΠΡΟΣΛΑΒΟΥ and PROSTI BOŽE DRAGOSLAVA I DOBROSLAVA).