Begin 01.01.1190
End 31.12.1196
End 31.12.1196
Properties
| ID | 132896 |
|---|---|
| System Class | Artifact |
| Artifact | Sculpture |
| Case Study | Beyond East and West: Sacred Landscapes Duklja and Raška , Tabula Imperii Byzantini , TIB 17 |
| Stylistic Classification | Romanesque |
Description
The consoles of the arcade frieze of the Southern façade of the katholikon of Studenica were made from marble around 1190, at the time of the erection of the Church of the Holy Mother of God. The consoles are decorated with motifs of human and animal heads. The sculpture in Studenica has models in Romanesque art.
literature
Bošković/Petković 1941 — 85 , Maksimović (Jovanka) 1986 — 124-127 , Maksimović 1971 — 64 , Marković 2019a — 38-40 , Walker Vadillo 2013 — 63-77 , Živković (Miloš) 2016 — 194, 199Relations
Places (1)
| Name | Class | Begin | End | Description |
|---|---|---|---|---|
| Studenica Monastery, Church of the Holy Mother of God | Place | The Church of the Holy Mother of God in the Studenica Monastery is situated 39km to the South-West of the city of Kraljevo. It was built between 1183 and 1196 by the Serbian Grand Župan Stefan Nemanja (reigned 1166/68-1196) (Spisi sv. Save 153; Kralj Stefan 9; Domentijan 24; ZSp. 569 V - I u Rasinyi methohь Popovacь, crьkva hramь Vavědenïe prěsvetïe Bogorodica i zaselakï, i selo Vožetinь, selo Rakla i zaseljakь, i selo Pohovacь, i selo Vělika Vruševïca i Podrumi, i povele da prinose vyno trevy rady monastiru). The relics of Stefan Nemanja were brought to Studenica (from the Monastery of Hilandar) making this place the political, cultural and spiritual center of the Serbian realm. Around his tomb are buried - his wife Ana (nun Anastasija), his son the Serbian King Stefan Prvovenčani (reigned 1196-1227), Grand Prince Vukan, Nemanja's grandson Stefan (the son of King Uroš I) and the Serbian King Stefan Radoslav (reigned 1228-1233) with his wife. Therefore, Studenica Monastery became known as the Lavra of St. Simeon the Myrrh-Streaming (Myroblytos). For this reason the church became the model to emulate in the construction and fresco painting of Serbian churches. It is a single nave edifice with a dome and a three-part altar space, side vestibules and a narthex. The vestibules had a cult purpose, as evidenced by niches in their Eastern walls. The façade of the Church of the Holy Mother of God is made in accordance with the traditions of Romanesque art (the masons came from the coastal region, perhaps Kotor). Some typically Byzantine details, such as the semicircular arch on the sides of the tambour of the dome and the disposition of the windows on it, are harmoniously integrated into the Western concept of the exterior of the walls. The most impressive Romanesque features of the monastery's katholikon are the friezes of arcades on the upper edges of the walls and the shapes of window openings and portals, i.e. their sculptural decoration. The Western and Southern entrance doors, along with a trifora at the altar, are most prominent example of the rich sculptural decoration of this period in history. Also, the lunette above the Western door is richly decorated with sculptural decoration of the Holy Mother of God with Christ and two Archangels. An inscription on the tympanum of the Western portal is written in Serbian letters, which indicates that the artist(s) were probably Serbian. According to the fragmentarily preserved inscription in the tambour of the dome, it is known that the painting of the church began in 1208 and 1209. The fresco decoration was thoroughly renovated in 1569 by Longin. Around 1230 the Serbian King Stefan Radoslav (reigned 1228-1233), the son of the Serbian King Stefan Prvovenčani (reigned 1196-1227), built an exonarthex with two semicircular chapels on the Southern and Northern sides and perhaps a square tower with a chapel on the upper floor of the main entrance of the monastery. |