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(Paskačić) Vladko
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Mentioned in the charter of the Serbian Emperor Stefan Uroš IV Dušan concerning the Church of Saint Nicholas in Psača from 1354/1355 and in the inscription accompanying his painted portrait in the Church of Saint Nicholas in Psača. The portrait of Vlatko was painted probably between 1365 and 1371. He appears as prěvьzljubljenʼny i pravověrnii vlastelinь carstva mi in the charter of the Serbian Emperor Stefan Uroš IV Dušan. The inscription describes him as sevastokratorь vse srьpьske zemlie vladko. The Serbian Emperor Stefan Uroš IV Dušan gave in 1354/1355 permission to his nobleman Vladko (Paskačić) to donate the Church of Saint Nicholas in Psača, which Vladko erected on the inherited property of his father Paskačь, together with the appertaining metochion to the Hilandar Monastery (I vьspomenu carstvu mi prěvьzljubljenʼny i pravověrnii vlastelinь carstva mi Vladko ō crьkvy svetago Nikoly jaže jestь sьzdalь na svoōi baštině Pʼsači a sь blagoslovljenijemь carstva mi...i poljubi prěd carstvomʼ mi i priloži svoju baštinu crьkvь svetago Nikoli na Psači prěsvetěi Bogorodici hilandarьskoi sь vsěmь metehōmь). The painted portrait of Vladko is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača. The fresco displays him with his whole family. The representation of Vladko and his father Paskać, who are hoisting the model of the church to the icon of Saint Nicholas, can be described as an act of the joint ktetorship.
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Amerales
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Mentioned in the dedicatory inscription found on the western wall of the Virgin Maryʼs Church in Mali Grad from 1368–1369. He appears as a ὁ πανευγενέστατος Ἀμηράλις ὑιος αὐτοῦ in the inscription next to his portrait. He was the son of the kaisar Nobakos and Kale. His sister was Maria. His father kaisar Nobakos sponsored the renovation and decoration of the Virgin Maryʼs Church in Mali Grad in the year 1368–1369 (Άνηγέρθη ἐκ βάθρου καὶ κόπού καὶ μόχθοῦ ὁ θεϊος κὲ πάνσεπτος ναώς ουτος της υπεραγίας δεσπίνης ἡμων Θεοτόκου καὶ ἀνηστορίθην παρὰ του αὐφθέντου αὐτοῦ πὰνευτυχεστάτου κέσαρος Νοβάκου ἠγουμενέβῶντὸς δὲ Ἰωνὰ μοναχοῦ. Αὐφθεντεύβοντος πανυψηλοτάτου κραλήου τοῦ Βεληκασίνου. Άρχαηερατεύωντος δὲ τῆς ἀγιωτάτης ἀρχιεπησκοπῆς τῆς Πρότης Ἰουστινηανης, ετους ͵ςωοζʹ). The family portrait of Nobakos has been preserved on the western external façade. He and his sister are painted to the left of the virgin, who is the central figure of the ktitorial composition. He is portrayed as a small boy.
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Damianos (2)
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He was born after 1340/1341. Mentioned in the sources from 1347 to 1349/1350. He was the son of Ioannes Liberos (᾿Ιωάννης Λίβερος, Jovan Oliver) and Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija,). His uncle was Mpogdanos (Μπογδάνος, Bogdan). He was the brother of Kraikos (Κράϊκος, Krajko), Vidoslavь, Dabiživь, Rusinь, Oliverь and Danica. Ioannes Liberos together with his wife and their sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Ioannes Liberos together with his wife and their son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. Ioannes Liberos, Maria Liberissa, Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β).
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Doja
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Mentioned in the inscription next to the portrait of a woman on the south wall of the Church of Saint John the Theologian at the Zemen Monastery. The depiction is part of the ktitorial composition. The wall painting of Doja can be dated around 1360. She was the spouse of Dejanь? She was the mother of Vitomirь and Stajo. She was a sponsor of the Church of Saint John the Theologian at the Zemen Monastery. She is portrayed on the southern wall of the naos in the church next to her husband. On the right side of the painting of Doja is an inscription (i podružie ego doja i čǫda imь).
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Isaakios Nikephoros
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A short notice of the capture of Berat in 1342/1343 by the sebastokrator of Serbia Isaakios Nikephoros is inserted in the colophon of the manuscript (Dionys. 216/3750) written by the scribe Iakobos, kept in the library of the monastery of Dionysiu (ἐπόνησα πρὸς ταῦτα τῷ ἑξακισχιλιοστῷ αὖθις ὀκτακοσιοστῷ πρὸς τοῖς πεντήκοντα καὶ ἑνὶ ἔτη ἰνδικτηώνος δὲ ἐνδεκάτης. Ἰστέον ὅτι τὸ παρὸν βιβλίον ἐγράφη ἐν τῷ πρώτῳ ἔτω τῆς εἰς τὰ Βελλάγραδα εἰσελεύσεως τοῦ σεβαστοκράτωρος Σερβείας κῦρ Νικηφόρω τὸ Ἰσαακίω, χειρὶ δὲ Ἰακώβῳ ἱεροθύτῳ). Isaakios Nikephoros is with all probability identical with the ambassador Chiersacchio mentioned in a document from 25.05.1344 preserved in the archives of the city Dubrovnik (In consilio rogatorum captum fuit "de mittendo unum ambassiatorem Chiersacchio ad honorandum ipsum et presentandum et recommandandum mereatores in partibus illis conversantes". Item "de mittendo dona eidem Chiersacchio, cuidam alii baroni Suberto de yperferis CC"; et alia fuit de perperis CL que vicit".) The sebastokrator Kerьsakь also appears as a donator of the village of Rodokali with hamlets and all rights to the Church of Holy Mother of God Peribleptos in Ōhrid, which was confirmed by the Serbian king Stefan Uroš IV Dušan. (I kako prihodi vseōsvešteni jepiskopь Děvolьski kirь Gligori i uspomenu mi kako jestь priložilь prěljubovni vlastelinь kraljevstva mi sevastokratorь Kerьsakь selo Rodokali, i sь zaselьci i sь vsěmi pravinami sela toga crьkvi Periblepьtu, monastiru kralevstva mi i kraličinu. I kralevstvo mi zapisa i utvrьdi, jako da jestь tvrьdo i nerazorimo do věka i da jestь otь crьkve neotiemlemo do dni i do věka). The Serbian King names him in the same charter as the brother of his kingdom and as the Sebastokrator of the town Ōhrid. The Serbian king mentions his help in the conquest of the region (i sь Hristovomь pomoštiju i prědanijemь brata kraljevstva mi, sebastokratora grada Ōhrid). He is attested together with the archbishop Nikolaos as donor of the large mid-14th century icons of Christ Pantokrator and the Virgin Psychosostria destined for the templon of the Cathedral of St. Sophia at Ōhrid. An inscription is attached to the lower rim of the revetment of the Icon with Christ Pantokrator, which describes him as the sebastokrator Isaakios Dukas (ΥΜΝΟΝ ΕΠΙΝΙΚΟΝ ΩΣ ΘΕΩ ΦΕΡΕΙ ΑΥΤΟΣ Δ· ΕΝΥΛΟΣ ΚΑΙ ΧΟΙΚΟΣ ΤΥΓΧΑΝΩΝ ΔΟΥΚΑΣ ΙΣΑΑΚΙΟΣ ΣΕΒΑΣΤΟΚΡΑΤΩΡ ΙΛΑΣΤΗ ΕΙΚΟΝΑ ΗΡΥΣΟΥ ΑΡΓΥΡΟΥ ΤΕ ΤΕΧΝΟΥΡΓΗΜΕΝΗΝ ΗΝ ΚΑΙ ΔΕΧΟΙΟ ΠΑΜΜΕΔΟΝ ΘΕΟΥ [ΚΡΑΤΟΣ...ΕΙΣ] ΕΞΙΛΑΣΜΑ ΤΩΝ ΑΜΑΡΤΗΜΑΤΟΝ). It is not clear whether the sebastocrator Isaakios is the same person as the Caesar Dukas portrayed together with his prematurely deceased son Demetrios in the ruins of St. Panteleimon in Ōhrid, which is dated 1321 or 1331, shortly before the conquest of Ōhrid by the Serbian king Stefan Uroš IV Dušan.
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Kraikos
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Mentioned in the sources from 1340/1341 to 1381. He was the son of Ioannes Liberos (᾿Ιωάννης Λίβερος, Jovan Oliver) and Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija,). His uncle was Mpogdanos (Μπογδάνος, Bogdan). He was the brother of Damianos (Δαμιανός, Damjan), Vidoslavь, Dabiživь, Rusinь, Oliverь and Danica. According to the stone inscription above the Western Entrance of the Katholikon in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo from 1340/1341, his father Ioannes Liberos, his mother Maria Liberissa and he sponsored the reconstruction and the painted decoration of the monastery. Ioannes Liberos, Maria Liberissa and Kraikos (Κράϊκος, Krajko) endowed the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo with lands in the surrounding area (sьzda se světlyi i čьs(t)nъï.hramь.velikago vojevode vьïšnih silь. Arhistratiga Mihaila. Sьzda se i sьvrьši se. Vь dni Stefan(a) kral(a). Sь trudomь. Ï podanijemь raba B(ož)ija Ïōan(a) veikago voevode Ōlivera. I podružija ego rabu B(o)žiju Annu. Maru i vьzljublennago emu s(y)na Kraika. V(ь) lět(o). ƺ.ō.m.ḟ. se že sela i metohïe. Selo konь crkve Lěsnovo. Sь zaselkomъ Lukovu i u Bakově crkvь S(ve)t(o)ga Nikole sь selomь. Ï na rěcě zaselьkь Globica i selo Dobrьevo i u Drěvěnoi. S(ve)tьï Elisei i zaslьk Peštno i S(ve)ty Prokopije. I katunь Vlah(a) na Stroi i u Štipě S(ve)ty Nikola pop Sïfievь. i. k. kukei). Ioannes Liberos together with his wife and his sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Ioannes Liberos together with his wife and their son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. The portrait of Kraikos (Κράϊκος, Krajko) is situated on the northern wall of the chapel. Ioannes Liberos, Maria Liberissa, Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β). According to the charter of the Serbian Despot Konstantin Dragaš for the Hilandar Monastery from 15th August 1381 Maria Liberissa expressed short before her death the will that the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo should devolve after her death on the Hilandar Monastery. Her sons Kraikos (Κράϊκος, Krajko) and Rusinь confirmed that their mother wanted to donate the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo to the Hilandar Monastery (I kako je i despotica Ōlivera despota na sьmrьti rekla i sь synōma svoima Kraikōmь i Rusinomь da je paki tai crьkvь Hilandaru).
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Liberissa Maria
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The hypothesis of J. Radonić that Maria Liberissa was identical with Maria Palaiologina (Μαρία Παλαιολογίνα) was refuted by M. Laskaris. Mentioned in the sources between 1340/1341 and 1349. She is mentioned as a deceased person in the charter of the Serbian Despot Konstantin Dragaš for the Hilandar Monastery from the 15th August 1381. She appears as Despotica (1347–1350, before 1381) and βασίλισσα (1349). It is not clear, if her father was Georgios Karabides (Γεώργιος Καραβίδης). She was married to Ioannes Liberos (᾿Ιωάννης Λίβερος, Jovan Oliver). They had together six sons (Kraikos [Κράϊκος, Krajko], Damianos [Δαμιανός, Damjan], Vidoslavь, Dabiživь, Rusinь, Oliverь) and one daughter (Danica). According to the stone inscription above the Western Entrance of the Katholikon in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo from 1340/1341, she, her husband Ioannes Liberos (Ioan Oliver) and her son Kraikos (Κράϊκος, Krajko) sponsored the reconstruction and the painted decoration of the monastery. She, her husband and her son Kraikos (Κράϊκος, Krajko) endowed the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo with lands in the surrounding area (sьzda se světlyi i čьs(t)nъï.hramь.velikago vojevode vьïšnih silь. Arhistratiga Mihaila. Sьzda se i sьvrьši se. Vь dni Stefan(a) kral(a). Sь trudomь. Ï podanijemь raba B(ož)ija Ïōan(a) veikago voevode Ōlivera. I podružija ego rabu B(o)žiju Annu. Maru i vьzljublennago emu s(y)na Kraika. V(ь) lět(o). ƺ.ō.m.ḟ. se že sela i metohïe. Selo konь crkve Lěsnovo. Sь zaselkomъ Lukovu i u Bakově crkvь S(ve)t(o)ga Nikole sь selomь. Ï na rěcě zaselьkь Globica i selo Dobrьevo i u Drěvěnoi. S(ve)tьï Elisei i zaslьk Peštno i S(ve)ty Prokopije. I katunь Vlah(a) na Stroi i u Štipě S(ve)ty Nikola pop Sïfievь. i. k. kukei). Her name appears on a metal polycandilion with an inscribed medallion, which was ordered for the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo by Ioannes Liberos, when he held the position of the Grand Duke (voevoda oliver anna marija). Maria Liberissa together with her husband and her sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Maria Liberissa together with her husband and her son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. The portrait of Kraikos (Κράϊκος, Krajko) is situated on the northern wall of the chapel. Maria Liberissa and her family sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β). According to the charter of the Serbian Despot Konstantin Dragaš for the Hilandar Monastery from 15th August 1381 Maria Liberissa expressed short before her death the will that the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo should devolve after her death on the Hilandar Monastery. (I kako je i despotica Ōlivera despota na sьmrьti rekla i sь synōma svoima Kraikōmь i Rusinomь da je paki tai crьkvь Hilandaru).
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Liberos Ioannes
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Mentioned in several sources between 1336 and 1354. The inscription placed next to the portrait of Ioannes Liberos on the north wall of the naos in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo lists all dignities, which were granted to him during his career (azь rabь hristovь iōanь ōliverь po milosti božiei i gospodina mi krala stefana bihь u srьblemь veliky čelnikь potom veliki sulga potomь veliki voevoda potomь veliky sevastokratorь i/a za věrnoe emu porabotanije po milosti božiei i veliki despotь vseja srьbskije zemle i pomorьskije i učestnikь grьkomь). Srdjan Pirivatrić presumes that the titles of grand sebastrokrator, grand despot and učestnik, were bestowed upon Ioannes Liberos by Byzantine imperial authorities before coronation of the Serbian Emperor Stefan Uroš IV Dušan in 1346. He held the position of veliki čelnik, before 1341. veliki sluga (megas domestikos), 1332–1341 (ja sluga veli Ōliverь/Iōanь veliki sluga Ōliverь vьse srpskie zemlie i pomorskie). veliki vojvoda (megas dux) 1341/1342 (sь trudomь i podanijemь raba božija ioana velikago voevode olivera; Veliki voevoda Ōlïver povelě pisati, a Stanislavь pisa; ōbьdrьžeštu ōblastiju vseju ōvčepolьskoju velikomu vojevodě Ōliveru, vь horě Zletovcěi; jegože velikyi vojevoda Ōliverь sьzda is temelja; povelěnijemь gospodina velikago vojevode Ōlivera; Bogь da prostitь velikago vojevodu Ōlivera). He was the son-in-law of Georgios Karabides (Γεώργιος Καραβίδης). His brother was Mpogdanos (Μπογδάνος, Bogdan). He was married to Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija). He had six sons (Kraikos [Κράϊκος, Krajko], Damianos [Δαμιανός, Damjan], Vidoslavь, Dabiživь, Rusinь, Oliverь) and one daughter (Danica). Already in 1334 he got acquainted with Ioannes Kantakuzenos during the meeting between the Byzantine Emperor Andronikos III Palaiologos and Stefan Uroš IV Dušan in Rhadobosdion (Radovište). They became friends. Jovan Oliver entrusted before 1341 his subordinate Todorь with the task to settle the deserted settlement site Sveti Dimitrije in Jastrebnica, which was in possession of the Monastery of Saint Demetrius in Kočane. Jovan Oliver issued between 1332 and 1341 a charter, in which were listed the rights and duties of Todorь at Sveti Dimitrije in Jastrebnica (Naidohь selište pusto Svetago Dimitrija u Jastrebnicě i podahь moga člověka Todora, koi mi se prěda izь Grьkь, po ruce da naseli ōmozi selo). Ioannes Liberos, the son-in-law of Georgios Karabides, stated on 28th June 1336 in the presence of Nikola Falletro, the comes of the town of Ragusa, that he received the former treasury of Karabides from Junije Lukarević. Ioannes Liberos swore that he will give the treasury to the Serbian King Stefan Uroš IV Dušan and request a charter for Junije Lukarević from the king, which will confirm the receipt of treasury and ruled out the possibility of demand by the king, Liberos or the children of Karabides (Oliuer Gherchinich, baro domini Regis Raxie et gener Charauide, constitutes ante presentiam nobilis et potentis viri domini Nicolai Falletro, honorabilis comitis Ragusii, contentus e confessus fuit habuisse et recepisse et apud se habere a Junio de Lucarom de Ragusio unam centuram de argento et unam ladicam de argento, ponderis inter ambas librarum tredecim et unciarum V, et centum nonaginta quinque ducatos de auro, que centura et ladica et ducati acomandati fuerunt per dictum Carauidam, socerum olim dicti Oliueri, eidem Junio, ut idem Junius confessus fuit. Et similiter idem Oliverius confessus fuit tantas fuisse res et ducatos, accomandatas eidem Junio per dictum Charauidam et non plures, cum infrascriptis pactis et condictionibus, uidelicet quod ipse Oliuerius teneatur et debeat predictam centuram et ladicam et ducatos dare in manibus domini Regis Raxie in presentia Petri de Ribica et Marini filii Junii de Uolcasso de Ragusio et fieri facere ab ipso Rege eidem Junio de Lucaro unam apouiliam, sigillatam suo sigillo, continentem, qualiter ipse dominus Rex uel suus successor nec frater, filii seu filia dicti Charauidi seu aliqua alia persona de dicta centura et ladica et ducatis non possint facere uel mouere aliquam litem uel questionem in regno Raxie et Slauonie seu in aliquo loco, in curia uel extra, eidem Junio). Ioannes Liberos owned and received from the Serbian King Stefan Uroš IV Dušan landed estates in the region of Ovče Pole, Zletovo and Tikveš for his service. According to the stone inscription above the Western Entrance of the Katholikon in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo from 1340/1341, he, his wife and his son Kraikos (Κράϊκος, Krajko) sponsored the reconstruction and the painted decoration of the monastery. He, his wife and his Kraikos (Κράϊκος, Krajko) endowed the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo with lands in the surrounding area (sьzda se světlyi i čьs(t)nъï.hramь.velikago vojevode vьïšnih silь. Arhistratiga Mihaila. Sьzda se i sьvrьši se. Vь dni Stefan(a) kral(a). Sь trudomь. Ï podanijemь raba B(ož)ija Ïōan(a) veikago voevode Ōlivera. I podružija ego rabu B(o)žiju Annu. Maru i vьzljublennago emu s(y)na Kraika. V(ь) lět(o). ƺ.ō.m.ḟ. se že sela i metohïe. Selo konь crkve Lěsnovo. Sь zaselkomъ Lukovu i u Bakově crkvь S(ve)t(o)ga Nikole sь selomь. Ï na rěcě zaselьkь Globica i selo Dobrьevo i u Drěvěnoi. S(ve)tьï Elisei i zaslьk Peštno i S(ve)ty Prokopije. I katunь Vlah(a) na Stroi i u Štipě S(ve)ty Nikola pop Sïfievь. i. k. kukei). He supplied the monastery with the Menaion. The scribe Stanislavь, who wrote the menaion, recorded, that Ioannes Liberos donated also frames for the screen icons and church vessels to the monastery with the intention to grant the monastery to the Hilandar Monastery (velikyi vojevoda ōliverь sьzda is temelija i sьvrьšivь i popisa i vsakimi dorotami ukrasivь, sьsudï zlatьïmi i srebrьnьïmi pokova velikyje ikony srebromь i zlatomь, jakože jestь lěpo domь božii ukrašati, podavь sela i metohije i pašišta i livade i planine milostiōvь kralevovь utvrьdivь vse sinore i zapisavь zlatopečatnymь hrisovulomь i prědastь ju u svetu goru stoi bogorodici hilandarьskoi sь vsakymь utvrьždenijemь). As a Grand Duke, Ioannes Liberos, ordered the fabrication of a metal polycandilion with an inscribed medallion for the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo (voevoda oliver anna marija). When the Byzantine Emperor Ioannes VI Kantakuzenos had proceeded in 1342 with his army along the right bank of the river Vardar, he discovered the forces of Ioannes Liberos near Belesos (Veles). The Byzantine emperor sent an envoy to Liberos in order to remind him of the friendly contacts they had before. Very short after the Byzantine Emperor Ioannes VI Kantakuzenos had crossed the river, Ioannes Liberos hosted him and his troops for three days. The Byzantine Emperor Ioannes VI Kantakuzenos, who placed reliance on Liberos, even proposed a marriage between his son Manuel and Danica, the daughter of Liberos. Ioannes Liberos provided accomodation for the Byzatine emperor and his troops in Skopje. In the meantime Liberos visited the Serbian King Stefan Uroš IV Dušan in the area of Morava. Liberos persuaded the Serbian King Stefan Uroš IV Dušan to receive the Byzantine Emperor Ioannes VI Kantakuzenos favourably. The Serbian King Stefan Uroš IV Dušan then sent Mpogdanos (Μπογδάνος, Bogdan), the brother of Ioannes Liberos, to the Byzantine Emperor Ioannes VI Kantakuzenos in order to let him know about his soon arrival in Tao (Pauni) near Pristenon (Priština). In July/August 1342 the Serbian King Stefan Uroš IV Dušan formed an alliance with the Byzantine Emperor Ioannes VI Kantakuzenos. Ioannes Liberos brought the Serbian King Stefan Uroš IV Dušan to convince the Byzantine Emperor Ioannes VI Kantakuzenos in regard of the engagment beween Danica and Manuel. Ioannes Liberos then accompanied the Byzantine Emperor with the Serbian auxiliary forces on the campaign to the town Serres. He fell ill before the gates of town of Serres. As sebastokrator Ioannes Liberos donated another medallion with monogramms for the polycandilion in the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The monastic endowment of Ioannes Liberos became a seat of new founded Episcopy of Zletovo between 1346 and 1347, which is documented in the charter of confirmation issued by the Serbian Emperor Stefan Uroš IV Dušan (v’seljubimomu vlastelinu svetago carьsva mi despotu Ōliveru, iže jestь sьzdalь svetyi hramь ōnь ōtь osnovanija, iže vь městě Lěsnově, i ukrasivь v’sěkymi lěpotami crьkьvnymi, i udarovavь sel’mi i sь zaselьci, i sь planinami, i sь pročïimi ōtesy zemlje te). Ioannes Liberos together with his wife and his sons Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) were the patrons of the parecclesion of the Saint John the Baptist in the Church of Saint Sophia in Ōhrid. The chapel was erected between the years 1347–1350. Ioannes Liberos together with his wife and his son Damianos (Δαμιανός, Damjan) are depicted within the ktitorial composition on the western wall of the chapel. The portrait of Kraikos (Κράϊκος, Krajko) is situated on the northern wall of the chapel. Ioannes Liberos and his family sponsored a new narthex as a addition to the Monastery of Saint Archangel Michael and Holy Father Gabriel in Lěsnovo. The painted ktitorial composition with Ioannes Liberos, Maria Liberissa (Μαρία Λιβέρισσα, Ana Marija), Kraikos (Κράϊκος, Krajko) and Damianos (Δαμιανός, Damjan) is on the northern wall of the narthex. The fresco inscription above the entrance from the narthex to the naos gives details about the donors and the date 1349, when the narthex was decorated (Ἀνηγέρθη ἐκ βάθρων, καὶ ἀνηστορίθη ὁ θεῖος καὶ πάνσεπτος ναὸς τοῦ ταξιαρχου Μιχ δι’ ἐξόδου τοῦ πανευτυχεστάτου δεσπότου Ιωάννου τοῦ Λύβερί. καὶ τῆς πανευτυχεστάτης βασιλείσης Μαρίας τῆς Λυβερίσης καὶ τῶν τέκνων αὐτῶν, Κραίκου καὶ Δαμιανοῦ. ἐπὶ τῆς βασιλεί Στεφάνου καὶ Ἐλένης, καὶ τοῦ ύιοῦ αὐτῶν κράλη τοῦ Οὐροσι μηνὶ αὐγύστῳ ѕʹ ἔτους ϛωνζ ἰνδ β). Ioannes Liberos appears for the last time in the papal letter from May 1354, in which Innocent VI. sent the identical instructions for the most powerful nobles in the Serbian empire, who contributed to the possibility of an union between the Serbian and Roman churches (Oliverio despoto Serviae).
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Maria (3)
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Person
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Mentioned in the dedicatory inscription found on the western wall of the Virgin Maryʼs Church in Mali Grad from 1368–1369. She appears as a πανευγενεστάτη κυρία Μαρια θυγάτηρ αυτου in the inscription next to her portrait. She was the daughter of the kaisar Nobakos and Kale. Her brother was Amerales. Her father kaisar Nobakos sponsored the renovation and decoration of the Virgin Maryʼs Church in Mali Grad in the year 1368–1369 (Άνηγέρθη ἐκ βάθρου καὶ κόπού καὶ μόχθοῦ ὁ θεϊος κὲ πάνσεπτος ναώς ουτος της υπεραγίας δεσπίνης ἡμων Θεοτόκου καὶ ἀνηστορίθην παρὰ του αὐφθέντου αὐτοῦ πὰνευτυχεστάτου κέσαρος Νοβάκου ἠγουμενέβῶντὸς δὲ Ἰωνὰ μοναχοῦ. Αὐφθεντεύβοντος πανυψηλοτάτου κραλήου τοῦ Βεληκασίνου. Άρχαηερατεύωντος δὲ τῆς ἀγιωτάτης ἀρχιεπησκοπῆς τῆς Πρότης Ἰουστινηανης, ετους ͵ςωοζʹ). The family portrait of Nobakos has been preserved on the western external façade. She and her brother are painted to the left of the virgin, who is the central figure of the ktitorial composition. She is portrayed as a young woman.
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Mpraianes
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Person
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It is doubtful whether he is the same person as Župan Petar Brajan, who founded the Church Bela Crkva in Karan near Užice between the years 1340 and 1342 (Gospodi bože...raba blagorodivogь ktitora petra a zovomь župana braiana i sь podružiemь si sь struōmь i sь čedi svoimi). Mentioned for the year 1350 by the Byzantine historian Ioannes Kantakuzenos. He was the Governor of the town Chrysupolis (Amphipolis), summer 1350. He was a friend of the Byzantine Emperor Ioannes VI Kantakuzenos. He promised to persuade other acquitances of emperor willing to support military aid to Ioannes VI. Kantakuzenos (καὶ τὴν νύκτα ἐκείνην ὡρμίσατο ἐπ’ ἀγκυρῶν Ἀμφιπόλεως ἐγγὺς ὑπὸ Τριβαλῶν κατεχομένης. ἧς ἐπετρόπευε Μπραϊάνης, βασιλεῖ ἐς τὰ μάλιστα φίλος ὢν ἐκ τῆς πρὸς αὐτοὺς διατριβῆς· πρὸς ὃν ἀκατίου ἐπιβὰς νυκτὸς, ἀφίκετο εἰς Ἀμφίπολιν ὁ βασιλεὺς κρύφα καὶ διειλέχθη. ὁ δὲ τά τε πρὸς αὐτὸν εὖ διέθετο βασιλεῖ ἐπαγγειλάμενος πάντα ποιήσειν κατὰ γνώμην, καὶ τοῖς ἄλλοις βασιλέως φίλοις ὑπέσχετο διαλεχθήσεσθαι, ἵν’ ἐν καιρῷ προσήκοντι χρήσιμοι ὀφθεῖεν βασιλεῖ).
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Mužilo (1)
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Person
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Identical with Mužilo (2)? Mentioned in the chrysobull charter from 1300 issued by the Serbian King Stefan Uroš II Milutin for the Monastery of Saint George-Gorg near Skopje. He was goldsmith. He sold a piece of land to the Serbian King Stefan Uroš II Milutin. The property was near the plot, which was in the possession of the Monastery of Saint Georg-Gorg near Skopje (I eksalimu popa Kvočila blizь města utěšenova i do města koje kupi kraljevstvo mi ōt Mužila zlatara).
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Nobakos
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Person
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Probably identical with Novakь Mrasorovikь. In January 1366 ugodni vlastelin Novakь Mrasorovikь addressed the request to the Serbian Despot Ioan Uglješa (Ioannes Unklesis) and also the Serbian King Vukašin (Demetrios Blukasinos) to approve his donation of the village Koprivljane to the Monastery Hagios Panteleemon on the Holy Mount Athos. Both of them confirmed the endowment of Novakь Mrasorovikь to the Monastery Hagios Panteleemon on the Holy Mount Athos in a separate chrysobull charter. Nobakos is mentioned in the dedicatory inscription found on the western wall of the Virgin Maryʼs Church in Mali Grad from 1368–1369. He appears as πανευτυχέστατος in the dedicatory inscription. He was kaisar. He was married to Kale. He had a son Amirales and a daughter named Maria. He sponsored the renovation and decoration of the Virgin Maryʼs Church in Mali Grad in the year 1368–1369. The dedicatory inscription on the western wall relates about the ktetor Nobakos, who built the church from the ground, which is apparently not true, because Mpoeikos together with Eudokia and her son sponsored already in 1344/1345 the first painted decoration of the church (Άνηγέρθη ἐκ βάθρου καὶ κόπού καὶ μόχθοῦ ὁ θεϊος κὲ πάνσεπτος ναώς ουτος της υπεραγίας δεσπίνης ἡμων Θεοτόκου καὶ ἀνηστορίθην παρὰ του αὐφθέντου αὐτοῦ πὰνευτυχεστάτου κέσαρος Νοβάκου ἠγουμενέβῶντὸς δὲ Ἰωνὰ μοναχοῦ. Αὐφθεντεύβοντος πανυψηλοτάτου κραλήου τοῦ Βεληκασίνου. Άρχαηερατεύωντος δὲ τῆς ἀγιωτάτης ἀρχιεπησκοπῆς τῆς Πρότης Ἰουστινηανης, ετους ͵ςωοζʹ). The family portrait of Nobakos has been preserved on the western external façade. Nobakos is portrayed with a halo.
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Ozra
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Person
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She was probably already dead before 1354/1355. She was married to Paskačь and therefore held the title of knegyna. Her son was Vladko. The painted portrait of Ozra is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača next to the image of Paskačь.
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Paskačь
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Person
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He was already dead before 1354/1355. He held the title of knezь. He and his son Vladko founded together the Church of Saint Nicholas in Psača. The painted portrait of Paskač is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača. The fresco displays him with his whole family. The representation of Paskač and his son Vladko, who are hoisting the model of the church to the icon of Saint Nicholas, can be described as an act of the joint ktetorship.
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Prosenikos Ioannes
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Person
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Probably mentioned in the first charter (1334/1336) of the Serbian King Stefan Uroš IV Dušan for the Monastery of Treskavec and in the inscription near the donor portrait in the Church of Saint Sophia in Ōhrid from 1350/1360. He was according to the inscription honoured with the titles κύρου τοῦ σεβάστου. His donor portrait and inscription are preserved on the pilaster of the west wall of narthex in the Church of Saint Sophia in Ōhrid (Μνήσθητι Κύριε τὴν ψυχὴν τοῦ δούλου Ἰωάννου κύρου τοῦ σεβάστου τοῦ Πρωσενικοῦ). He might also donated the abandoned settlement site Lepьče to the Treskavec Monastery. The Serbian King Stefan Uroš IV Dušan confirmed his gift in the first charter for the Treskavec Monastery (Selište pusto Lepьče, što priloži Prosenikь, sь ōblastiju i sь vьsěmi pravinami).
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Stajo
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Person
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Identical with Staniša 2? Mentioned in the inscription next to the portrait of a child on the west wall of the Church of Saint John the Theologian at the Zemen Monastery. The depiction is part of the ktitorial composition. The wall painting of Stajo can be dated around 1360. His parents were Despot Dejanь? and Doja. His brother was Vitomirь. He was a member of a family, which sponsored the Church of Saint John the Theologian at the Zemen Monastery. He is depicted as a child. His portrait is on the west wall of the naos. The wording of the inscription can be interpreted as follows (molba raba božija staja).
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Stefanь (1)
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Person
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Mentioned in the inscription accompanying his painted portrait in the Church of Saint Nicholas in Psača. The portrait of Stefan was painted probably between 1365 and 1371. He was the son of sevastokratorь Vladko (synь sevastokratora Vlatka). The painted portrait of a young adult Stefanь is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača next to Vladislava.
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Vitomirь (2)
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Person
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Identical with Vitomirь 3? Mentioned in the inscription next to the portrait of a young man on the west wall of the Church of Saint John the Theologian at the Zemen Monastery. The depiction is part of the ktitorial composition. The wall painting of Vitomirь can be dated around 1360. His parents were Despot Dejanь? and Doja. His brother was Stajo. He was a member of a family, which sponsored the Church of Saint John the Theologian at the Zemen Monastery. He is depicted as a young man. His portrait is on the west wall of the naos. The wording of the inscription can be interpreted as follows (molba raba božija vitomira).
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Vladislava (2)
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Person
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Mentioned in the inscription accompanying her painted portrait in the Church of Saint Nicholas in Psača. The portrait of Vladislava was painted probably between 1365 and 1371. She was married to sevastokratorь Vladko and therefore held the title sevastokratorica. Her sons were Stefanь and Ugleša. The painted portrait of Vladislava is preserved on the southern wall of the narthex in the Church of Saint Nicholas in Psača next to the image of Vladko.
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